yueqqiu

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	<title>yueqqiu</title>
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	<pubDate>Fri, 03 Jul 2026 03:22:53 +0000</pubDate>
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		<pubDate>Wed, 26 Mar 2025 17:05:02 +0000</pubDate>

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	yueqqiu.com
Turning vision into systems, stories, and products. 


	yueqqiu@gmail.comig@yueqqiu


红秀 × 曾可妮 - 视频剪辑
GRAZIA × Celebrity ZengKeni - film editing Published on&#38;nbsp;Weibo&#38;nbsp;︎

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四方软核艺术节 - 视觉形象系统设计
Sifang Super Softmuseum - visual identify system&#38;nbsp;


	“Sifang Super Softmuseum 艺术节”是一个超级松弛、轻软、包容的艺术事件，一座闹市间浮现的流态美术馆。基于南京四方当代美术馆的当代艺术语境，向各种泛艺术、设计、创意类型的奇人趣物／事开放，结合展览、讲座、市集、音乐、手作、潮玩、运动等形态，开启一次从老山降临城市的晚春奇遇。
	

"Sifang Super Softmuseum Art Festival" is a super relaxed, soft and inclusive art event, a flowing art gallery emerging from the downtown area. Based on the contemporary art context of Nanjing Sifang Museum of Contemporary Art, it is open to all kinds of strange people and exciting things of Pan art, design and creative types. Combined with exhibitions, lectures, markets, music, handworks, fashion games, sports and other forms, it opens a late spring adventure coming to the city from the old mountains.
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2020伦敦金史密斯研究生设计毕业展 - 海报设计
Goldsmiths, university of London MA degree show - posters
(Duarte Ferreira-main designer, Rachel Q, Priscillia Chauveau, Jenny Miao)


	本次展览主题为“在转译中寻找”，从设计构思到视觉呈现是一种转译，从自我探索到面向公众的表达也是一种转译。该学院的设计氛围既严肃又活泼，严谨又开放，因此决定采用以黑白为主的基调，并加以生动的脚部动态。比起迈着沉重的步伐寻找真理，学生们更愿意跳着舞去探索设计的哇！
	

"Found in Translation" - From design concept to visual presentation is a kind of translation, and from self-exploration to public expression as well. Here, the design atmosphere is both serious and lively, rigorous and open, so we decided to focus on the black-and-white tone with the vivid foot motions. Last but not least, rather than shuffling to find the truth, students are more likely to explore the design with their dancing feet!
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品牌设计 - angle空间咨询
ang/e - branding system 


	/斜杠意为不被定义，也指空间平面图纸上的简符。
推开一扇扇门，半地下室可能是工作室的藏匿处，不起眼的旧工厂可能是秀场的雏形，亦或街头转角处的老房是被阳光溢满的公寓。ang/e是一家小而美的空间咨询公司，针对上海市中心高端时尚住宅与创意办公空间，为顾客提供优质选择与解决方案，并通过角度转变的方式去探索空间的更多可能性。
	

/ slash means not defined, and also refers to the abbreviation on spatial plan drawings. Open one door after another, a half-basement may become a studio, a humble old factory may be the prototype of a show, or an old house on the street corner may be a sun-drenched apartment. 
ang/e is a small and beautiful space, a consulting firm, in view of the central Shanghai ang/e is a small but beautiful space consulting company, aiming at high-end fashion residential and creative office space in downtown Shanghai, providing customers with quality options and solutions, and exploring more possibilities of space through angle change.


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品牌设计 - 妖精的口袋Branding - ELFSACK&#38;nbsp;
as inhouse designer
cooperation with ELF shanghai team


	1.视觉系统设计：
主要负责品牌大季度物料 VI 更新，包含线下手拎袋、节日礼盒、季度包装更新等系统性视觉设计。
2.平面设计：
日常公众号推文，长图文设计输出；上新页设计；主题海报设计，等宣发设计内容，同步在淘宝天猫小红书等平台。
3.动态设计：
以营销热点视频制作、动态海报设计为主的动态输出。
	

1.Visual identity design：
Mainly responsible for VI update, including visual identity design such as offline handbag, holiday gift box and quarterly packaging update.
2. Promotion  Design:
Daily public account tweets, long text design output; design for the new season clothes promotion; Theme poster design and so on publicity design content, synchronization in Taobao Tmall little red book and other platforms.
3.Motion design:
To marketing hot video production, motion poster design, etc.


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	黄瓜漫游奇遇记 - 网页设计/影像制作/视觉实验
Qucumber’s Adventure in Flatland -&#38;nbsp;web/film/visual experiments


	该项目旨在以黄瓜为工具，围绕不同的维度，时间和空间的思考构建拟像。同时，这与无意识训练及其背后逻辑框架有关，是一次寻找自己的创作逻辑的实验。最后结合让·鲍德里亚的拟像四原则的框架，设计出一个网站&#38;nbsp;https://qucumber.club/ 来归纳分类整个项目作为产出(backup)。
	

It is about using the cucumber, doing unconscious training and exploring the correlated action logic, as well as looking for my methodology of creation, combining the framework of “Orders of Simulacra” by Jean Baudrillard, and designing a website as my outcome to organize the whole process.

&#60;img width="720" height="450" width_o="720" height_o="450" data-src="https://freight.cargo.site/t/original/i/3c5aaeac4e98cbb6971dd1f83159641c02c070185c49ec7f47da2af3feeb7487/webmain.gif" data-mid="228825743" border="0"  src="https://freight.cargo.site/w/720/i/3c5aaeac4e98cbb6971dd1f83159641c02c070185c49ec7f47da2af3feeb7487/webmain.gif" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/cba9a970e444c261e8b2bd5fbb4ccc2085968f53ba146772a7b981f1b41cd997/pic-web3.png" data-mid="228825678" border="0"  src="https://freight.cargo.site/w/1000/i/cba9a970e444c261e8b2bd5fbb4ccc2085968f53ba146772a7b981f1b41cd997/pic-web3.png" /&#62;


&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/8728d1ab9d69d93f5a2878d4753523c3322696e1415d8ef579c952e6197aceb2/IMG_5586.JPG" data-mid="228825705" border="0"  src="https://freight.cargo.site/w/1000/i/8728d1ab9d69d93f5a2878d4753523c3322696e1415d8ef579c952e6197aceb2/IMG_5586.JPG" /&#62;


	人工辨认智能 - 书籍设计/影像制作
Aidentify -&#38;nbsp;publication/film

	该项目围绕区分人工智能与人类这一主题，对相关文献进行整理分类并设计汇集成书籍与影像。本书/影像旨在客观陈述，留给观众对智能区分的无限遐想。
	The project revolves around distinguishing artificial intelligence from humans, organizing related knowledge, and ultimately designing a book and film. This book and movie intended to be an objective statement, and give the audience infinite reveries about intelligent distinctions.


&#60;img width="5068" height="2845" width_o="5068" height_o="2845" data-src="https://freight.cargo.site/t/original/i/88fbfe2aa161c380a390ad09f3d285dcafcdfd68ebcd561fbfbc929ba0f91305/Aidentify4.jpg" data-mid="228825686" border="0"  src="https://freight.cargo.site/w/1000/i/88fbfe2aa161c380a390ad09f3d285dcafcdfd68ebcd561fbfbc929ba0f91305/Aidentify4.jpg" /&#62;
&#60;img width="3782" height="2123" width_o="3782" height_o="2123" data-src="https://freight.cargo.site/t/original/i/1ee9300befe3fc13e0ba31b5f984697bc4c427ad4155710e8ba412211e80f004/Aidentify2.jpg" data-mid="228825688" border="0"  src="https://freight.cargo.site/w/1000/i/1ee9300befe3fc13e0ba31b5f984697bc4c427ad4155710e8ba412211e80f004/Aidentify2.jpg" /&#62;
&#60;img width="5472" height="3072" width_o="5472" height_o="3072" data-src="https://freight.cargo.site/t/original/i/7f68193a32390205d5f4f306bd7f289f907ade941f8db739dcb33d6e6bc07d11/Aidentify5.jpg" data-mid="228825689" border="0"  src="https://freight.cargo.site/w/1000/i/7f68193a32390205d5f4f306bd7f289f907ade941f8db739dcb33d6e6bc07d11/Aidentify5.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/0ed9a05f8ea6180d1b354cf18a8df5e8dbe84a568eb72cf8ddbc00abfd5b02df/Aidentify11.jpg" data-mid="228825730" border="0"  src="https://freight.cargo.site/w/1000/i/0ed9a05f8ea6180d1b354cf18a8df5e8dbe84a568eb72cf8ddbc00abfd5b02df/Aidentify11.jpg" /&#62;
&#60;img width="4497" height="2525" width_o="4497" height_o="2525" data-src="https://freight.cargo.site/t/original/i/4c926691cae271ed95b8d4018da83d9c960551e78f56c3055840de769aa68b26/Aidentify1.jpg" data-mid="228825685" border="0"  src="https://freight.cargo.site/w/1000/i/4c926691cae271ed95b8d4018da83d9c960551e78f56c3055840de769aa68b26/Aidentify1.jpg" /&#62;


&#60;img width="8331" height="3261" width_o="8331" height_o="3261" data-src="https://freight.cargo.site/t/original/i/943f063997fbb52e2ff668b8a50d7bf216b3da21510962bb5fdc5e1ea2d96f3a/timeline-yueqius.jpg" data-mid="228825704" border="0"  src="https://freight.cargo.site/w/1000/i/943f063997fbb52e2ff668b8a50d7bf216b3da21510962bb5fdc5e1ea2d96f3a/timeline-yueqius.jpg" /&#62;


Did Philip Dream of His Success? - 书籍设计


Did Philip Dream of His Success? -&#38;nbsp;publication


	本书收集了“Do Androids Dream of Electric Sheep?”（仿生人会梦见电子羊吗）自1920年来各地发行的153个版本的封面，而作者Philip本人可能也没有料想到他的作品对后世的影响之深，即为本书英文对仗名称“Did Philip Dream of His Success?”。此外本书封面选取了小说最经典一章节，是书籍内容与封面的一次置换。


	This book collects the covers of 153 editions of "Do Androids Dream of Electric Sheep?" that have been released all over the world, and the author Philip himself may not have expected the depth of the influence his work. And that is why this book called "Did Philip Dream of His Success?". Besides, the cover design selects the most classic chapter of the novel, which is a replacement of the book content and the cover.

&#60;img width="5401" height="3319" width_o="5401" height_o="3319" data-src="https://freight.cargo.site/t/original/i/b598c4e39c7d902d5acc674fc956f70661dc498e1d3f5be1b163bc9bff0add5e/Did-Philip-Dream-of-His-Success.jpg" data-mid="228825729" border="0"  src="https://freight.cargo.site/w/1000/i/b598c4e39c7d902d5acc674fc956f70661dc498e1d3f5be1b163bc9bff0add5e/Did-Philip-Dream-of-His-Success.jpg" /&#62;
&#60;img width="2806" height="2655" width_o="2806" height_o="2655" data-src="https://freight.cargo.site/t/original/i/197bc1504a1bde8c8c5deabc96f9ba02d06e6d6d19c21acb12d77bdad72662c7/Aidentify-philip.png" data-mid="228825731" border="0"  src="https://freight.cargo.site/w/1000/i/197bc1504a1bde8c8c5deabc96f9ba02d06e6d6d19c21acb12d77bdad72662c7/Aidentify-philip.png" /&#62;


	解放咪咪 -&#38;nbsp;品牌设计
Free the nipple -&#38;nbsp;branding VI

	所谓解放咪咪即是自我意识下的解放，是自信、美丽与健康，是随心所欲而非偏于我执。该项目为虚拟组织设计了一套视觉形象。这里并不是宣扬女性就要裸上身出门，只是讨论更多的可能性，当我不想穿内衣就不穿，当胸外扩我也可以由着她自由生长。试想有一天我们觉得女生光膀子和男生一样没什么大不了，那这个阻挡文明进步的马赛克就能够抹去了。


	Free the nipple is about the liberation of consciousness, which is confidence, beauty and health. This project designed a set of visual identity for a virtual organization. It is not to preach that women should go out topless, but to discuss more possibilities. When I don't want to wear underwear, then I don't. When my chest expands, then let it grow freely. Imagine that one day we feel that girls shirtless is no big deal like boys, then this mosaic that hinders the progress of civilization can be erased.

&#60;img width="1680" height="851" width_o="1680" height_o="851" data-src="https://freight.cargo.site/t/original/i/d22f9ca601f4b4e1f5bb9cc8cea971db2d1d3d715cf4a5bfe7cb2fa17a681eb9/Rachelnipple.png" data-mid="228825709" border="0"  src="https://freight.cargo.site/w/1000/i/d22f9ca601f4b4e1f5bb9cc8cea971db2d1d3d715cf4a5bfe7cb2fa17a681eb9/Rachelnipple.png" /&#62;
&#60;img width="4183" height="2964" width_o="4183" height_o="2964" data-src="https://freight.cargo.site/t/original/i/c34d13c99357fa4ecbf139d9f13664184e6d8388705bef5bef7158a500ade06c/jfmm-1.jpg" data-mid="228825718" border="0"  src="https://freight.cargo.site/w/1000/i/c34d13c99357fa4ecbf139d9f13664184e6d8388705bef5bef7158a500ade06c/jfmm-1.jpg" /&#62;


&#60;img width="5349" height="3566" width_o="5349" height_o="3566" data-src="https://freight.cargo.site/t/original/i/4376b935e6613d5cb52dd5c3f1f39fb44f40b7de5da48af1d024772b72b6ac9f/jfmm-5.jpg" data-mid="228825696" border="0"  src="https://freight.cargo.site/w/1000/i/4376b935e6613d5cb52dd5c3f1f39fb44f40b7de5da48af1d024772b72b6ac9f/jfmm-5.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/bc5d7ff0f6ed738ab3d91e1e4c7533efeb7be1d86e5762249e2a1732c9e50f8d/jfmm-16.jpg" data-mid="228825702" border="0"  src="https://freight.cargo.site/w/1000/i/bc5d7ff0f6ed738ab3d91e1e4c7533efeb7be1d86e5762249e2a1732c9e50f8d/jfmm-16.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/8688155412524f8da252ca90bdbecc163fbfacb5f6d030b0e44879da58c1b30f/jfmm-8.jpg" data-mid="228825697" border="0"  src="https://freight.cargo.site/w/1000/i/8688155412524f8da252ca90bdbecc163fbfacb5f6d030b0e44879da58c1b30f/jfmm-8.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/1aed60114da76bb15c723d32276e123586ed8e132e3889ca545076c27877fe97/jfmm-10.jpg" data-mid="228825698" border="0"  src="https://freight.cargo.site/w/1000/i/1aed60114da76bb15c723d32276e123586ed8e132e3889ca545076c27877fe97/jfmm-10.jpg" /&#62;


	金鱼缸中之脑 -&#38;nbsp;海报设计
Brain in a fishbowl -&#38;nbsp;poster

	这个项目受启发于霍金《大设计》中的“金鱼缸效应”。他提到如果一条金鱼看到的世界是经过折射的，“不真实的”，那么人类的眼睛看到的世界也有可能是虚假的。同时在书里他向读者提出了三个问题，为了更好地理解概念我以视觉笔记拓展成三张系列海报，并以此来回应他提出的问题……了解更多


	This project is inspired by the "goldfish bowl effect" in the book "The Grand Design" written by Stephen Hawking. What he mentioned in his book is if the world seen by a goldfish is refracted and unreal, then the world seen by the human eye may also be unreal. He has raised three questions in his book. Then I combined his idea with my understanding to complete a set of visual document and finally came out as posters with three related topics to respond his questions……more

&#60;img width="2121" height="3000" width_o="2121" height_o="3000" data-src="https://freight.cargo.site/t/original/i/d2fd71969ff65e742cc36de16a1585e032b51376ee83b185d22d2913b456a933/Brain-in-a-fishbowl1.jpg" data-mid="228825682" border="0"  src="https://freight.cargo.site/w/1000/i/d2fd71969ff65e742cc36de16a1585e032b51376ee83b185d22d2913b456a933/Brain-in-a-fishbowl1.jpg" /&#62;
&#60;img width="2121" height="3000" width_o="2121" height_o="3000" data-src="https://freight.cargo.site/t/original/i/4e82944c4db7d0c0998463288c1b86e4431ee75891aeb6165b41a95c4f115c94/Brain-in-a-fishbowl2.jpg" data-mid="228825683" border="0"  src="https://freight.cargo.site/w/1000/i/4e82944c4db7d0c0998463288c1b86e4431ee75891aeb6165b41a95c4f115c94/Brain-in-a-fishbowl2.jpg" /&#62;
&#60;img width="2121" height="3000" width_o="2121" height_o="3000" data-src="https://freight.cargo.site/t/original/i/618672d5e1d7f3b6d224fb0dc9a48b53c819bee9bca4445037fa71bfe2246328/Brain-in-a-fishbowl3.jpg" data-mid="228825684" border="0"  src="https://freight.cargo.site/w/1000/i/618672d5e1d7f3b6d224fb0dc9a48b53c819bee9bca4445037fa71bfe2246328/Brain-in-a-fishbowl3.jpg" /&#62;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a4ce80294c48df2bb7bc2d5899b03fc290ade5affafc8406c56e67aa613412de/ig0.jpg" data-mid="228825679" border="0"  src="https://freight.cargo.site/w/1000/i/a4ce80294c48df2bb7bc2d5899b03fc290ade5affafc8406c56e67aa613412de/ig0.jpg" /&#62;


	观众 -&#38;nbsp;影像制作/行为表演

Audiences -&#38;nbsp;film/performance(Rachel QIU, Priscillia Chauveau, Georgette newman)
影像本身是一种记录，投影是一种投射/透射，这两者的叠加会在空间中产生美妙的“时差”，不断重叠，就有无数的观众。该项目的初衷是借物来引领思考，运用投影仪的特性来“玩耍”。


	The film itself is a kind of record, and the projection is transmission. The superposition of the two will produce an incredible "time difference" in the space. When the images are continuously overlapped, there will be countless audiences.


&#60;img width="1483" height="1609" width_o="1483" height_o="1609" data-src="https://freight.cargo.site/t/original/i/08ddd261ea0e9f6992efe12fef51a7b648401ef58e57300d3a9259aa18c0cef2/audiences2.png" data-mid="228825694" border="0"  src="https://freight.cargo.site/w/1000/i/08ddd261ea0e9f6992efe12fef51a7b648401ef58e57300d3a9259aa18c0cef2/audiences2.png" /&#62;
&#60;img width="1782" height="1600" width_o="1782" height_o="1600" data-src="https://freight.cargo.site/t/original/i/8dbd09271b8d23261ddd3ad620f7bcd1e8c1cef6c7c91459a82f738d1e19ec25/audiences1.png" data-mid="228825693" border="0"  src="https://freight.cargo.site/w/1000/i/8dbd09271b8d23261ddd3ad620f7bcd1e8c1cef6c7c91459a82f738d1e19ec25/audiences1.png" /&#62;

宇宙中三种最热门的打招呼方式 - 影像/行为表演
Three of the most popular languages to say how r u - film/performance


	点头微笑碰手肘，握手挥手说你好。


躺下蹲下起立转圈，手舞足蹈也向你问好。


好久不见，你还好吗？


	Nod, smile, touch elbow, shake hands, wave and say hello.


Lie down, squat, stand up, spin, dance around and say hi.


Long time no see. How are you?


&#60;img width="1049" height="1485" width_o="1049" height_o="1485" data-src="https://freight.cargo.site/t/original/i/4caed8f72edff231984345176ff21655230b77b7349f5f8acebdab2f0e075761/hru5.png" data-mid="228825713" border="0"  src="https://freight.cargo.site/w/1000/i/4caed8f72edff231984345176ff21655230b77b7349f5f8acebdab2f0e075761/hru5.png" /&#62;
&#60;img width="1769" height="1250" width_o="1769" height_o="1250" data-src="https://freight.cargo.site/t/original/i/e5e6ab50119f767e4394e5e939e02abb2c7470dbc40e2b90753d7eb0ce98a3ea/hru3.png" data-mid="228825712" border="0"  src="https://freight.cargo.site/w/1000/i/e5e6ab50119f767e4394e5e939e02abb2c7470dbc40e2b90753d7eb0ce98a3ea/hru3.png" /&#62;


“一定是外面出了问题” -&#38;nbsp;摄影
“There must be something wrong outside” -&#38;nbsp;photography

&#60;img width="2035" height="2713" width_o="2035" height_o="2713" data-src="https://freight.cargo.site/t/original/i/985bc0b9168f4181efc4a565793aea5e0378c0ee99e47e0301ca826255261c98/IMG_9984.jpg" data-mid="228825706" border="0"  src="https://freight.cargo.site/w/1000/i/985bc0b9168f4181efc4a565793aea5e0378c0ee99e47e0301ca826255261c98/IMG_9984.jpg" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/6c93dad405bd62f7d1bbf8e20ed68d4b65015324a3efb537553b2c77be1bb66c/gofish-5.jpg" data-mid="228825738" border="0"  src="https://freight.cargo.site/w/1000/i/6c93dad405bd62f7d1bbf8e20ed68d4b65015324a3efb537553b2c77be1bb66c/gofish-5.jpg" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/a88c87bae1fa151898f965d407714aac53a28770f8c0e22678366395f7dcfe3d/gofish-6.jpg" data-mid="228825739" border="0"  src="https://freight.cargo.site/w/1000/i/a88c87bae1fa151898f965d407714aac53a28770f8c0e22678366395f7dcfe3d/gofish-6.jpg" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/89c9d6ae4618f3d1b64d579fbd0391c29e3cac0e9d25e6dea940176521dd8d9b/gofish-7.jpg" data-mid="228825740" border="0"  src="https://freight.cargo.site/w/1000/i/89c9d6ae4618f3d1b64d579fbd0391c29e3cac0e9d25e6dea940176521dd8d9b/gofish-7.jpg" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/20d8ba33ed7d4846a9a7a80ea0c10495191901aa234e46dbf880bafa75c390d3/gofish-3.jpg" data-mid="228825736" border="0"  src="https://freight.cargo.site/w/1000/i/20d8ba33ed7d4846a9a7a80ea0c10495191901aa234e46dbf880bafa75c390d3/gofish-3.jpg" /&#62;
&#60;img width="2368" height="3183" width_o="2368" height_o="3183" data-src="https://freight.cargo.site/t/original/i/f29b130f70f8a0094876a5695e961a62f770f94f0a2ddf28209b6bf90fba38c0/gofish-2.jpg" data-mid="228825735" border="0"  src="https://freight.cargo.site/w/1000/i/f29b130f70f8a0094876a5695e961a62f770f94f0a2ddf28209b6bf90fba38c0/gofish-2.jpg" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/43dd68e212c14c8b96070a5302973952983e52f2e24cbafa15b7ffc0a1923ab3/gofish-8.jpg" data-mid="228825741" border="0"  src="https://freight.cargo.site/w/1000/i/43dd68e212c14c8b96070a5302973952983e52f2e24cbafa15b7ffc0a1923ab3/gofish-8.jpg" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/c582a8b5fcdb351c4541905ab6215cced0a34e0e053182458024d4434e382347/gofish-9.jpg" data-mid="228825742" border="0"  src="https://freight.cargo.site/w/1000/i/c582a8b5fcdb351c4541905ab6215cced0a34e0e053182458024d4434e382347/gofish-9.jpg" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/d5d430cae045be4fd71784ac3285da9416f8d43ae74769b02af12a9919584e06/gofish-1.jpg" data-mid="228825734" border="0"  src="https://freight.cargo.site/w/1000/i/d5d430cae045be4fd71784ac3285da9416f8d43ae74769b02af12a9919584e06/gofish-1.jpg" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/e926280531aa8c860d865099125a9a237e80fddd0bc6014cb4fc2b48b34e54fe/gfish1.png" data-mid="228825733" border="0"  src="https://freight.cargo.site/w/1000/i/e926280531aa8c860d865099125a9a237e80fddd0bc6014cb4fc2b48b34e54fe/gfish1.png" /&#62;


	一切死亡都有冗长的回声 - 影视制作
Echo of Death -&#38;nbsp;film

	这个项目源于北岛的诗歌《一切》，特别是最后一句话“一切死亡都有冗长的回声”，他的诗有种让我保持平静的魔力。 因此，我以我的方式向他致敬。


This project originated from Beidao's poem "ALL", especially the last sentence "All death has a prolonged echo", which has the magic of making me calm. Thus, I pay tribute to him in my way.


&#60;img width="2270" height="1381" width_o="2270" height_o="1381" data-src="https://freight.cargo.site/t/original/i/a9a02333a0f37ce19402818be6cbf3a2ed0c78d767b9e26b644b94d52178e327/echo-of-death.png" data-mid="228825719" border="0"  src="https://freight.cargo.site/w/1000/i/a9a02333a0f37ce19402818be6cbf3a2ed0c78d767b9e26b644b94d52178e327/echo-of-death.png" /&#62;


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	</item>
		
		
	<item>
		<title>Info</title>
				
		<link>https://yueqqiu.com/Info</link>

		<pubDate>Wed, 26 Mar 2025 17:05:13 +0000</pubDate>

		<dc:creator>yueqqiu</dc:creator>

		<guid isPermaLink="true">https://yueqqiu.com/Info</guid>

		<description>
	yueqqiu.com︎返回主页&#38;nbsp;
	yueqqiu@gmail.comig@yueqqiu


简介 Intro

	Halo我是丘悦，一名综合类型的设计师，喜欢用视觉语言在不同媒介中交流传达。有过甲乙方的设计经验，目前的工作重心放在品牌设计、海报设计、影像制作上，此外也偶尔做做行为艺术。我认为平面设计不仅仅是在于视觉方面，更加是行为与思考模式的探讨。与此同时，我还享受在艺术与设计的乱序中找寻乐趣，并认为幽默感是设计与艺术中难能可贵的元素。
	This is YueQIU(RachelQ), as a comprehensive designer, I keen on working with different media. My current works focus on film editing, web, brand, publication, and poster design. I believe that graphic design is not only about visual output, but also the behaviour and thought. Meanwhile, I enjoy finding pleasure in the chaos of design and art. What I believe is the sense of humour is a rare and commendable element in art and design.


社会经历 Works
妖精的口袋（服装品牌公司）
创意视觉设计师
内容：
1.视觉系统设计：
主要负责品牌大季度物料 VI 更新，包含线下手拎袋、节日礼盒、季度包装更新等系统性视觉设计。
2.平面设计：
日常公众号推文，长图文设计输出；上新页设计；主题海报设计，等宣发设计内容，同步在淘宝天猫小红书等平台。
3.动态设计：
以营销热点视频制作、动态海报设计为主的动态输出。12/2021-2/2023
Creative Visual Designer Shanghai elf sack Culture Co., LTDContent:&#38;nbsp;1.Visual identity design：
Mainly responsible for VI update, including visual identity design such as offline handbag, holiday gift box and quarterly packaging update.
2. Promotion  Design:
Daily public account tweets, long text design output; design for the new season clothes promotion; Theme poster design and so on publicity design content, synchronization in Taobao Tmall little red book and other platforms.
3.Motion design:
To marketing hot video production, motion poster design, etc.

上海莫多艺术设计有限公司
内容：独立负责项目的创意规划与执行，以vi设计为主包括
1.logo  创意概念设计
2.制定 vi  规范及标准
3.材料的选择，纸媒搭配
07/2021-11/2021

Graphic Designer&#38;nbsp;
Shanghai Modo Art Design Co., LTD
Content: Independently responsible for creative planning and execution of the project, mainly including VI design
1. Creative concept design of logo
2. Develop VI specifications and standards
3. Material selection, paper media collocation, etc


运营"拔火罐"公众号内容：以娱乐性质为主，发布与青年文化有关的推送。07/2018-至今New media official account operationContent: Focus on entertainment and publish youth culture-related posts.


	参展经历 Exhibitions
首届CSSA-Goldsmiths 国际青年艺术设计展, 视觉传达设计类参展作品《别》《金鱼缸中之脑》, 2020年The 1st CSSA-Goldsmiths International Youth Art&#38;amp;Design Exhibition, Visual communication design exhibition work "Don’t" and "Brain in a fishbowl", 
 2020

紫金奖·中国(南京)大学生设计展, 视觉传达设计类参展作品《Aidentify》南京国际展览中心, 2019年
ZiJjin Award · China (Nanjing) University Student Design Exhibition, Visual communication design exhibition work "Aidentify", 
Nanjing International Exhibition Center, 2019


灯塔工程丨广州美术学院学生优秀作品联展，平面设计类参展作品-系列海报《三海经》, 2018年
“The Lighthouse Project”, the exhibition of excellent works by students of Guangzhou Academy of Fine Arts, graphic design exhibition work-a series of posters “SanHaiJing”, 2018

广东省博物馆“风·尚”18-20世纪中国外销扇文创产品设计展, 2017年
“Elegant &#38;amp; Vogue”cultural and Creative Product Design of Chinese Export Fans in the 18th-20th Centuries
Guangdong museum, 2017

 
	获奖经历 Awards
深圳市平面设计协会SGDA毕业生奖学金，2019年
SGDA 2019 SCHOLARSHIP 

广州美术学院2019年优秀毕业作品《Aidentify》，2019年"Aidentify", Guangzhou Academy of Fine Arts, 
Excellent Graduation Works, 2019
“MAKE IT WOOOOOOW”刚古设计大赛中国区金奖，2018年GOLD AWARD in China, “MAKE IT WOOOOOOW” Conqueror Design Contest,
Antalis Asia Paciﬁc Pte Ltd, 2018
“MAKE IT WOOOOOOW”刚古设计大赛评委黑一烊之选奖，2018年JUDGE'S CHOICE OF HEI YIYANG, “MAKE IT WOOOOOOW” Conqueror Design Contest, Shenzhen Graphic Designers Association, 2018
广东省博物馆18-20世纪外销扇文化创意产品设计三等奖，2017年"Elegant &#38;amp; Vogue"cultural and Creative Product Design of Chinese Export Fans in the 18th-20th Centuries, Third prize for creative Design, Guangdong museum, 2017


教育经历 Educations
伦敦大学金史密斯艺术学院研究生设计：拓展实践-传达与经验工作室
09/2019-12/2020- 曾在学校2020开放日做过公开演说;- 参与设计部门2020毕业设计展览形象视觉系统;- 硕士毕业设计获得学校官方博客采访https://goldsmithsdesignblog.com/2020/12/17/found-in-translation-yue-qiu/
Goldsmiths, University of London MA Design: Expanded Practice-communication and experience


09/2019-02/2021- Have given a public speech on the school's 2020 Open Day;- Participate in the visual system of the 2020 graduation design exhibition of the design department;- The master's graduation design work was interviewed by the school's official blog 
https://goldsmithsdesignblog.com/2020/12/17/found-in-translation-yue-qiu/

广州美术学院：视觉传达设计专业艺术学学士学位09/2015-07/2019
- 在校获得多次奖学金，获得优秀毕业生及优秀毕业设计奖项;- 收获校外各类型的设计奖项，曾在2018刚古设计大赛上获得中国区金奖;- 多次入选校内外的设计艺术展;- 连续参加两届校内辩论赛，并担任队内组长一职，带领队伍取得亚军的成绩
Guangzhou Academy of Fine ArtsBachelor of Graphic Design09/2015-07/2019
- Won many scholarships at the school, and won outstanding graduates and outstanding graduation design awards;- Received various types of design awards outside the school, and won the China Gold Award in the 2018 Ganggu Design Competition;- Have been selected for design art exhibitions inside and outside the school many times;- Participated in two consecutive school debates, and served as the team leader, leading the team to the runner-up results


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	<item>
		<title>dont more</title>
				
		<link>https://yueqqiu.com/dont-more</link>

		<pubDate>Wed, 26 Mar 2025 17:05:19 +0000</pubDate>

		<dc:creator>yueqqiu</dc:creator>

		<guid isPermaLink="true">https://yueqqiu.com/dont-more</guid>

		<description>
	yueqqiu.com︎︎︎返回主页&#38;nbsp;

	yueqqiu@gmail.comig@yueqqiu


别 - 影像制作
Don't - film

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/5d13e0b2198a756b9c8b1946604dca7d5eba29e1b8722353247b7b99dde96a1e/dont2.png" data-mid="228825919" border="0"  src="https://freight.cargo.site/w/1000/i/5d13e0b2198a756b9c8b1946604dca7d5eba29e1b8722353247b7b99dde96a1e/dont2.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/cea40f2ac2f46ea4d792d5e1dfb7d6fe8f959d6c263bf5345e76175176ec1957/dont3.png" data-mid="228825920" border="0"  src="https://freight.cargo.site/w/1000/i/cea40f2ac2f46ea4d792d5e1dfb7d6fe8f959d6c263bf5345e76175176ec1957/dont3.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/77e8b5f93ca8c22225eacb987d7f6e2c26f253978ee0a2da3c9d5edd8348f447/dont4.png" data-mid="228825921" border="0"  src="https://freight.cargo.site/w/1000/i/77e8b5f93ca8c22225eacb987d7f6e2c26f253978ee0a2da3c9d5edd8348f447/dont4.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/bcb736e1a70ab5fcae9daabe7dd82e9df7f0c7b683a73e3050c0e522e17393ce/dont5.png" data-mid="228825922" border="0"  src="https://freight.cargo.site/w/1000/i/bcb736e1a70ab5fcae9daabe7dd82e9df7f0c7b683a73e3050c0e522e17393ce/dont5.png" /&#62;

	这段影片的创作是基于在英国生活的中国女性的经历。就我个人而言，我能够非常强烈的感受到中国学生经常与害羞这一性格挂钩，尤其是经历过囤积式教育的女性。当她们在海外学习，受到另一文化的冲击，羞涩的情况就显得尤为突出。当作为一位华人（非英语背景的外国人）和一位女性的多重身份交织时，害羞实际上变成了文化冲突与性别偏见的产出。我作为其中一员非常感同身受，但有时更多的是疑惑，甚至有些生气。为什么会表现得这么害羞？为什么这么胆小？为什么不问问题？如果连自己都不为自己发声，那谁会呢？

更困惑的是，害羞对中国女性来说似乎是一件理所当然的事。内心似乎总有无形的声音告知着她们别去做一些事情，并且她们也相信了。这里不是在谈论害羞作为正常生理反馈的问题，更关键的是这种性格的塑造本身。为什么会有这样的性格？什么样的环境会塑造害羞的性格? 这不是某个个体的失误。对于社会文化来说，儒家文化作为中国长久以来的正统思想，谦虚内敛作为美德成为社会共识，有时甚至被过分强调了也没有被意识到。我不想看到害羞成为中国女性的标签，我不想害羞变成刻板印象，我想鼓舞激励她们敢于站出来为自己发声不再退缩，并以此为初衷创作了这个影片。


The film is based on the real experiences of Chinese women living in the UK. In my personal experience I have found that shyness usually accompanies with Chinese students, especially girls within the banking education. While they study abroad facing another culture, the shyness becomes more prominent. With the multiple identities, which are being a Chinese(as a foreigner) and being a woman, the shyness here is in the intersection with culture and gender. As one of them, I fully appreciate the hardship and difficulties they face. But sometimes more puzzled, even a little angry. Why so shy? Why so timid? Why don’t ask questions? If they don't speak out for themselves, then who will? 

What's worse, it seems to become a matter of course while Chinese women act like a shy person. There seems to be an inner voice telling them not to do something, and they believed it. Shyness is not only inherent in their personality, but it is also shaped by their environment in which they grow up. For example, the culture of modesty, as a consensus in Chinese society, is also related to China's long-standing Confucian orthodoxy. This is not the fault of anyone, but the undue influence of over-promoting introversion and modesty has not been realised. What I don't want to see is shyness becomes a label of Chinese women, I don't want this turns into a stereotype. Thus, I create this film in order to awake them notice their cowardice, realise the hegemony that they need to fright with and also advocating for themselves.


</description>
		
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	<item>
		<title>brain more</title>
				
		<link>https://yueqqiu.com/brain-more</link>

		<pubDate>Wed, 26 Mar 2025 17:05:25 +0000</pubDate>

		<dc:creator>yueqqiu</dc:creator>

		<guid isPermaLink="true">https://yueqqiu.com/brain-more</guid>

		<description>
	yueqqiu.com︎︎︎返回主页&#38;nbsp;

	yueqqiu@gmail.comig@yueqqiu
金鱼缸中之脑 - 海报设计Brain in a fishbowl - poster
&#60;img width="4722" height="2717" width_o="4722" height_o="2717" data-src="https://freight.cargo.site/t/original/i/21492f7c8d7133ded6923ee874262cf3648e5d57763887c315260f7fb2af3162/process1new.jpg" data-mid="228825990" border="0"  src="https://freight.cargo.site/w/1000/i/21492f7c8d7133ded6923ee874262cf3648e5d57763887c315260f7fb2af3162/process1new.jpg" /&#62;
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&#60;img width="4723" height="2717" width_o="4723" height_o="2717" data-src="https://freight.cargo.site/t/original/i/90eb7eed72c7b8e3d96006639d9388a835a41c22795ddd25987f07eadb89e5f5/process2new.jpg" data-mid="228825991" border="0"  src="https://freight.cargo.site/w/1000/i/90eb7eed72c7b8e3d96006639d9388a835a41c22795ddd25987f07eadb89e5f5/process2new.jpg" /&#62;
&#60;img width="4726" height="2717" width_o="4726" height_o="2717" data-src="https://freight.cargo.site/t/original/i/abe3227507eeb8a05db533863fa2ec79b822d43c667a1414091f720d99449053/process4new.jpg" data-mid="228825993" border="0"  src="https://freight.cargo.site/w/1000/i/abe3227507eeb8a05db533863fa2ec79b822d43c667a1414091f720d99449053/process4new.jpg" /&#62;

	这条金鱼（通过金鱼缸的折射）看到的是一个与我们不同的版本的（扭曲）世界，但我们能确定它就不是真实的吗?就我们目前来看，我们可能也在用一生的时间透过扭曲的镜头注视着外面的世界。-霍金
这个项目受启发于霍金《大设计》中的“金鱼缸效应”。他提到如果一条金鱼看到的世界是经过折射的，“不真实的”，那么人类的眼睛看到的世界也有可能是虚假的。同时在书里他向读者提出了三个问题，为了更好地理解本书我做了一些视觉笔记并最后拓展成三张系列海报，并以此来回应他提出的问题。


问题1：定律的起源是什么?
回答1：金鱼所看到的扭曲世界即是它们的本源，是他们所认为正确的世界观。
海报1：“正确的”扭曲世界


问题2：定律中是否有例外，即:奇迹?
回答2：人类世界的规则对于金鱼来说就是例外，当然人类世界的定律也常常存在推翻，比如以前的地心说，地面是平的等等，因此我们人类目前的规则有可能再次被推翻，不仅仅是自己内部意识的刷新，也有可能是受到更高维物种的冲击（就像金鱼对人类），即可以理解为“奇迹”。
海报2：人类世界有没有可能也是一个鱼缸？


问题3：是否只有一套可能的规则?
回答3：对于我来说，更倾向于认为世界不止一套准则，就像刚才提到的不同物种乃至不同维度生物的世界观不一定是相同的，所以这张海报将金鱼的世界观和人类的既定规则杂糅一起。
海报3：多鱼缸(元)世界


The goldfish is seeing a version of reality that is different from ours, but can we be sure it is any less real? For all we know, we, too, may spend our entire lives staring out at the world through a distorting lens. &#38;nbsp;-Stephen Hawking
This project is inspired by the "goldfish bowl effect" in the book "The Grand Design" written by Stephen Hawking. What he mentioned in his book is if the world seen by a goldfish is refracted and unreal, then the world seen by the human eye may also be unreal. He has raised three questions in his book “The Grand Design”. To more specific, I combined his idea with my understanding to complete a set of visual document and finally came out as posters with three related topics to respond his questions: 


Question1: What is the origin of the laws? Answer1: The distorted world that the goldfish sees is their source, their view of the world.Topic of poster1: The distorted reality of goldfish


Q2: Are there any exceptions in the laws, i.e., miracles? A2: The laws of human world to the goldfish is the exception, of course, the laws of the human world are often overturned by themselves, such as geocentrism, the ground is flat and so on. Not only for humans to refresh their internal consciousness, but it could also be impacted by higher-dimensional species(like goldfish to human), which can be understood as a "miracle".T2: Is it possible that the human world is also a fishbowl？


Q3: Is there only one set of possible laws? A3: I prefer to agree that there is more than one set of rules for in the world, for example, the world views of different species or that from dimensions might not be the same, so this poster combines two established rules for the world view(goldfish and human).T3: A world of multiverses.


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	<item>
		<title>cucumber</title>
				
		<link>https://yueqqiu.com/cucumber</link>

		<pubDate>Tue, 27 Jan 2026 18:38:26 +0000</pubDate>

		<dc:creator>yueqqiu</dc:creator>

		<guid isPermaLink="true">https://yueqqiu.com/cucumber</guid>

		<description>
	Qucumber’s Adventures in Flatland


BriefUnconscious Training&#38;amp; Action Logic(framework)
Chapter 0


Symbolic Order


Cucumber in the flatland
How long does five minutes look like?Chapter 1


First Order of Simulacra


Watches in another dimension


Collapse
Peeling into the timeline


Anyways, time is always about three


Do arthropods come from higher dimension?
Chapter 2


Second Order of Simulacra


A simulation of the underground


A simulation of cutting the cucumber1/2/3


1′12″


A simulation of peeling a cucumberChapter 3


Third Order of Simulacra


Comedian2.0


The Persistence of Memory2.0
Time segments×2


Chapter 4Other process
Gallery websiteVisual document

	
	︎︎


	&#38;nbsp;
In brief, this project is about using the cucumber, which is the primary tool, as my object to explore the complexity of the world. Especially engaging this element in different dimensions as well as the time and space, and building simulacra in various kinds of ways. Meanwhile, it is about doing unconscious training and exploring the correlated action logic. (Exercices de style, 20.03.2022 adding)


Unconscious training

So far, with doing the unconscious mapping, it has been developed a series of branch lines with 15 ideas and some related output, including drawings, films, sculptures, collages and some visual document. Generally speaking, this mapping connects to cucumber or time and space; some of them play with the relationship of sound and action; some get into the journey of imagination. Taken together, these experiments look more like the acquisition of inspiration, which helps me to expand my thinking and enrich my creativity. Besides, the mapping experience is a kind of like the process before doing the actual design on the computer, which is the project design planning and finding the connection between visual and concept.

It is surprised me that I found some abnormal connections during this unconscious training, which means maybe some ideas will get the response about “What the hell is she doing!”. For example, at the beginning of doing the divergent thinking, I walked through the Greenwich Tunnel and took a picture every three steps, producing 183 photos in five minutes. Try to imagine, placing these pictures in the space where they had been taken and enlarging them to the actual size of the tunnel. Viewed from a distance, this is a tunnel but cut into the slices. I try to visualise the equal time within the space of the tunnel when I took the picture and walked at the same time. Summarising this action is to decompose the coherent tunnel into photographs. In other words, it could see those photos as the separation of time and space. Interestingly, I found the action of taking pictures in the tunnel is very similar to other activities of cutting a cucumber, so I combined these two seemingly unrelated behaviours into a short film. I prefer to understand this as a visual and auditory montage, which is absurd but also humorous.

Generally speaking, doing this training is not following the convention, but to seek innovative exploration methods, using different approaches to analyze the materials and information I hold from different angles and directions. This way of thinking allows me to have a larger space for reflection. For instance, taking cucumber as the object, I mobilized my knowledge of time and space, and make associations with sound and action, generated multiple unique ideas and expanded my imagination. Basically, the mode of using divergent thinking to analyze problems is to think outside the established framework, so that to propose innovative ideas in the process of exploring multiple possibilities.


Action logic

The behavioural logic of this project was not designed in the first place. As mentioned in the previous chapter, the unconscious action kind of like a discovery of imagination. It wasn’t even realised that there is a connection behind these actions. And it does exist.

During the later philosophy exploration of Jean Baudrillard, he described the “Orders of Simulacra” and the “Phases of the Image”, which including four levels of orders of simulacra and the corresponding four levels at which creation represents reality:


Symbolic Order: the simulacrum is a reflection of a profound reality.First Order of Simulacra: the simulacrum perverts a basic reality.Second Order of Simulacra: the simulacrum masks the absence of a basic reality.
Third Order of Simulacra: the simulacrum has no relation to reality at all. 

When I look at all the pieces that I've done, I found that my methodology of creation is unexpectedly matching with his idea of simulacra, which means my thoughts relate to simulation and can be divided into different levels. For example, a number of my works are exploring the connection to the real world; some are wandering my mind and creating abnormal results, and few are the recreation of produced project. In a word, I combined my experiments with Baudrillard's ideas and categorised them into my methodology framework. In my project, cucumber as the simulacrum to compare with seemingly unrelated objects and find out the potential possibilities, and the way of simulation mainly focus on sensory montage, for instance, action and sound.


Conclusion
In all, “Qucumber’s Adventures in Flatland” is dedicated to taking cucumber as the most daily object of research and looking for its relationship with time and space. The whole process contains many experiments, as well as different forms of expression, including movies, web design, collage, painting, installation, etc. Specifically, this project divided into two modules, namely unconscious training and behavioural logic. The former one is to express and create as much as possible around the theme, and the latter is to find the action logic behind self-creation. While in the section of mapping with cucumber, I engaged working with humour sense and imagination and finding the abnormal connection with cucumber and the world we are experiencing. What's more, when I ride on the roller coaster of imagination, there will always be some surprises, for instance, the connection of cutting cucumber and taking photos. I prefer to understand it as a treasure of unconscious wandering, which is difficult for me to achieve by conventional operations. The second part is for organizing those experience I did, and I found the correlation between my creations and the theory of simulacra by Jean Baudrillard. The four levels of simulacra correspond to my logic of design, which presents that subconscious wandering does not mean thinking randomly. Afterwards, I combined the framework with my categorized projects then to create a new website with a more logical layout as my final outcome.
0.1. Cucumber in the flatland


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Speaking of the “Cucumber in the flatland”, I used a scanner to scan the cucumber in multiple ways. For example, to keep the scanned cucumber away from the plane of the scanner, then I got a blurred visual image. Or I suddenly moved the cucumber during the scan process, and then a segmented but continuous image was produced. To imagine the scanner is the eye of two-dimensional creature, and the scanned pictures are what it can see. Then the scanned cucumber it sees come in many forms. According to its understanding, what it sees can be different cucumbers or the same one can be transformed into various formats. But from the perspective of the three-dimensional world, this is just a static cucumber. This kind of behaviour quite similar to what a book called “Flatland” illustrated, which is to imagine a state of being in a lower dimension than the human one, and use a dimensionality reduction vision to reverse and examine our existing world. And that is how the name “Cucumber in the flatland” comes from, as well as the title of the whole process: “Qucumber’s Adventures in Flatland”. Therefore, the images of scanned cucumber as the lower-dimensional simulacrum is doing a reflection of a 3D reality.


&#60;img width="2480" height="3507" width_o="2480" height_o="3507" data-src="https://freight.cargo.site/t/original/i/ff1193ef2d32222eb6c7a3c43483900cae9801c4e54b0501d60710df6b072070/Escan16.jpg" data-mid="244054712" border="0"  src="https://freight.cargo.site/w/1000/i/ff1193ef2d32222eb6c7a3c43483900cae9801c4e54b0501d60710df6b072070/Escan16.jpg" /&#62;
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&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/edc2f2759d0ede743728ef0789f22d2f63e06bb64a08e0b7e94ba58d0b986abb/Escan22.JPG" data-mid="244054703" border="0"  src="https://freight.cargo.site/w/1000/i/edc2f2759d0ede743728ef0789f22d2f63e06bb64a08e0b7e94ba58d0b986abb/Escan22.JPG" /&#62; 

0.2. How long does five minutes look like


	&#60;img width="4962" height="1597" width_o="4962" height_o="1597" data-src="https://freight.cargo.site/t/original/i/437b0eee3cd31e326f360226ca9375cf39bffc57ba752eaa52ed08bfa13344d6/B01catch5.jpg" data-mid="244054829" border="0"  src="https://freight.cargo.site/w/1000/i/437b0eee3cd31e326f360226ca9375cf39bffc57ba752eaa52ed08bfa13344d6/B01catch5.jpg" /&#62;
“How long does five minutes look like?” is another thinking of the reality that we exactly living in. This project uses a scanning technique called slit-scan, which’s camera and film moving at the same time to create a panoramic picture. What interest me most is while I was using this technique to scan the film about walking through the tunnel, it is equivalent to visualise the time into a panorama. Similarity go with “Four dimensional worm” that GaoMing mentioned in his book “Genius or Psychotic”, which means that in the time we have traveled, we in all spaces exist at the same time. In other words, in the dimension of time, we are like a continuous line in the three-dimensional space, starting at the moment we were born and ending at the present moment. This process is more likely a reasonable association and thinking about the real world.


	&#60;img width="2596" height="1708" width_o="2596" height_o="1708" data-src="https://freight.cargo.site/t/original/i/fdb27db5f9810c642c3a68ccc0f9a84b8e1afcb94baf03d7c3e48baaf90a5a69/B01catch.png" data-mid="244054832" border="0"  src="https://freight.cargo.site/w/1000/i/fdb27db5f9810c642c3a68ccc0f9a84b8e1afcb94baf03d7c3e48baaf90a5a69/B01catch.png" /&#62;&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/aec26c4e03e23932ebc8640db7a02d1659d8bf93ad77cde949dd94c54fe859f8/B01catch2.JPG" data-mid="244054830" border="0"  src="https://freight.cargo.site/w/1000/i/aec26c4e03e23932ebc8640db7a02d1659d8bf93ad77cde949dd94c54fe859f8/B01catch2.JPG" /&#62;


&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/72076187c0a95e283a9658f2513bef806ed770eed780bc96cd216d33917bc11a/B01catch4.JPG" data-mid="244054828" border="0"  src="https://freight.cargo.site/w/1000/i/72076187c0a95e283a9658f2513bef806ed770eed780bc96cd216d33917bc11a/B01catch4.JPG" /&#62;
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1.1. Watches in another dimension


&#60;img width="4961" height="7017" width_o="4961" height_o="7017" data-src="https://freight.cargo.site/t/original/i/3b7496611865fdeb261bec56fb4dff6c7a7c7554f8547df3e8c2b05146de7b8b/drawing_1.jpg" data-mid="244054843" border="0"  src="https://freight.cargo.site/w/1000/i/3b7496611865fdeb261bec56fb4dff6c7a7c7554f8547df3e8c2b05146de7b8b/drawing_1.jpg" /&#62;


“Watches in another dimension” illustrates the clock with sliced cucumber shape, and it is kind of like the distorted clock in Dali’s painting “The Persistence of Memory”. 
 1.2. Collapse


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“Collapse” describes a situation of space collapse, the outlook of whole section is a cucumber which is a representation of some form of space. The collapsed part of the area simulates the creases of a dried cucumber.1.3. Peeling into the timeline


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“Peeling into the timeline” simulates a situation of peeling a cucumber into continuous strips, like peeling an apple. The whole stripe looks like a lifetime of experiences, and the veins on it are experiences. It can also be understood as an electrocardiogram of experience. Once life is over, the cucumber is cut off, and the veins on it will not continue. 1.4. Anyways, time is always about three


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“Anyways, time is always about three” shows the consideration of related number “3” of time, which are 24 hours a day, the clock has 12 graduations, a quarter of an hour is 15 minutes, one hour is 60 minutes, one minute is 60 seconds, etc. It is strange but a miracle, right? The number three is so beautiful that it is always related to time. 
 1.5. Do arthropods come from higher dimension?


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Speaking of the “Do arthropods come from higher dimension?”, one thing that should be mention again is the “Four dimensional worm”, which appeared in the previous round of Symbolic Order. Although it looks like an ordinary centipede, try to imagine if this centipede comes from another dimension and every section of its body that is a sign of time externalization.


 2.1. A simulation of the underground

While I walked through the Greenwich Tunnel, which is the most original place that the project starts, I found the structure of the tunnel quite similar to the space on the underground. Thus, I used the tape to cover part of the camera and recorded walking through the tunnel, then speeded up the film to pretend there is a running train. That is how the first film “A simulation of the underground” comes from.


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2.2. A simulation of cutting the cucumber1/2/3


	&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/a7f970faa959615a7507ab25e1b6e93b6e9795aa9d7dfd42c19ca4aa4a745ee4/06vip.JPG" data-mid="244054940" border="0"  src="https://freight.cargo.site/w/1000/i/a7f970faa959615a7507ab25e1b6e93b6e9795aa9d7dfd42c19ca4aa4a745ee4/06vip.JPG" /&#62;
During this section, I found the visual connection of taking pictures and cutting cucumbers, which sounds ridiculous and unrelated. Still, with some unique atmosphere. In this section, there are three versions of changing the angle of cutting a cucumber, which are “A simulation of cutting the cucumber1/2/3”. To specific, the first one is slicing along the cross-section of the cucumber, and matching it with taking pictures directly. The middle one is slicing the cucumber obliquely, as well as sideways taking photos. The last one is cutting a cucumber at random angles, the same way as photography.


&#60;img width="780" height="408" width_o="780" height_o="408" data-src="https://freight.cargo.site/t/original/i/b46188f318f341158a8dc2948b839d3cbe3462210455d1d9e4a6ffdca4ffc9be/04-cut3.jpeg" data-mid="244054941" border="0"  src="https://freight.cargo.site/w/780/i/b46188f318f341158a8dc2948b839d3cbe3462210455d1d9e4a6ffdca4ffc9be/04-cut3.jpeg" /&#62;
&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/fdf974101c3f5a7cf16e87c66b013dfc77cfab6f6397ab5c55b34d0553febdd5/04-cut2.jpg" data-mid="244054944" border="0"  src="https://freight.cargo.site/w/1000/i/fdf974101c3f5a7cf16e87c66b013dfc77cfab6f6397ab5c55b34d0553febdd5/04-cut2.jpg" /&#62;


&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/b2dc1bdb09d2a5e0907f1bc1dd587d9e9c51287672ec1f0b7f079f3ac6f0327b/05cut.JPG" data-mid="244054943" border="0"  src="https://freight.cargo.site/w/1000/i/b2dc1bdb09d2a5e0907f1bc1dd587d9e9c51287672ec1f0b7f079f3ac6f0327b/05cut.JPG" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/6e3c629582de585433c1b20121c0d8e929a38af18f93c457d07b7265aa34f915/05cut1.JPG" data-mid="244054942" border="0"  src="https://freight.cargo.site/w/1000/i/6e3c629582de585433c1b20121c0d8e929a38af18f93c457d07b7265aa34f915/05cut1.JPG" /&#62;


&#60;img width="2426" height="1665" width_o="2426" height_o="1665" data-src="https://freight.cargo.site/t/original/i/5be5bf7ba519e476ff5f7507add6784ff0a8a6a6a1dc37b36b960628c6e83623/05scan-cucumber-draft.png" data-mid="244054945" border="0"  src="https://freight.cargo.site/w/1000/i/5be5bf7ba519e476ff5f7507add6784ff0a8a6a6a1dc37b36b960628c6e83623/05scan-cucumber-draft.png" /&#62;


2.3. 1′12″

For me, I really keen on working with the visual and auditory montage. Thus, another work was subsequently produced, which is 1′12″. During the preparation of the film 1′12″,&#38;nbsp; I scanned every piece of the sliced cucumber and showed them on the film intern, then matched it with the “tik tok” voice from the clock that to simulate the situation of walking through the cucumber.


	&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/1354e80fca1c481c7e2bcbe244bab903571970d5be1e10c59baf3712be63cd80/09process.JPG" data-mid="244054961" border="0"  src="https://freight.cargo.site/w/1000/i/1354e80fca1c481c7e2bcbe244bab903571970d5be1e10c59baf3712be63cd80/09process.JPG" /&#62;

	
&#60;img width="3501" height="2476" width_o="3501" height_o="2476" data-src="https://freight.cargo.site/t/original/i/318ee6586f8e886a494201393d334fe6c3eaa202aa2a393d2937349c1cfda732/09cucu-2.jpg" data-mid="244054956" border="0"  src="https://freight.cargo.site/w/1000/i/318ee6586f8e886a494201393d334fe6c3eaa202aa2a393d2937349c1cfda732/09cucu-2.jpg" /&#62;
&#60;img width="3482" height="2462" width_o="3482" height_o="2462" data-src="https://freight.cargo.site/t/original/i/d5a8c4474a84fb33aaafa31907fd306af353338793c2ebe7b71941947c774850/09cucu-4.jpg" data-mid="244054960" border="0"  src="https://freight.cargo.site/w/1000/i/d5a8c4474a84fb33aaafa31907fd306af353338793c2ebe7b71941947c774850/09cucu-4.jpg" /&#62;
&#60;img width="3486" height="2462" width_o="3486" height_o="2462" data-src="https://freight.cargo.site/t/original/i/e5751a73b119d4b928fb9e392ef27a13b71996445e584d79c67818b1349634cc/09cucu-2.jpg" data-mid="244054958" border="0"  src="https://freight.cargo.site/w/1000/i/e5751a73b119d4b928fb9e392ef27a13b71996445e584d79c67818b1349634cc/09cucu-2.jpg" /&#62;
&#60;img width="3476" height="2458" width_o="3476" height_o="2458" data-src="https://freight.cargo.site/t/original/i/6bf43011c08072d580700b6be0056ee06f70d9bbecf69173dd0a26936d842024/09cucu-1.jpg" data-mid="244054959" border="0"  src="https://freight.cargo.site/w/1000/i/6bf43011c08072d580700b6be0056ee06f70d9bbecf69173dd0a26936d842024/09cucu-1.jpg" /&#62;
&#60;img width="3476" height="2458" width_o="3476" height_o="2458" data-src="https://freight.cargo.site/t/original/i/09cef9563a59408740992cbbc10fb77cef3f80ea0434f48296c3318fc0671669/09cucu-3.jpg" data-mid="244054957" border="0"  src="https://freight.cargo.site/w/1000/i/09cef9563a59408740992cbbc10fb77cef3f80ea0434f48296c3318fc0671669/09cucu-3.jpg" /&#62;

	
&#60;img width="2480" height="3406" width_o="2480" height_o="3406" data-src="https://freight.cargo.site/t/original/i/1631afbb276227a555c37c4c83541bc8a829b97254fbc7a7e7558033e1dafcb6/Edraft.jpg" data-mid="244054955" border="0"  src="https://freight.cargo.site/w/1000/i/1631afbb276227a555c37c4c83541bc8a829b97254fbc7a7e7558033e1dafcb6/Edraft.jpg" /&#62;


 2.4. A simulation of peeling a cucumber

The film “A simulation of peeling a cucumber” continue engaging with playing the relation of sound and action, which is connecting the action of printing on printer and peeling the cucumber. In the unreasonable combination of sound and reality, a clumsy sense of humour is produced, which makes this film vivid and interesting.


&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/e2845ce668c2d51a770aa45296589cf05323905f1b48a020b0073668d7b0b837/07dry.jpg" data-mid="244055001" border="0"  src="https://freight.cargo.site/w/1000/i/e2845ce668c2d51a770aa45296589cf05323905f1b48a020b0073668d7b0b837/07dry.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/0625621fd182ac52117ecb2e3b3f1a8461a5e90e703cf97e4d781aedb399d4b0/07dry3.jpg" data-mid="244054999" border="0"  src="https://freight.cargo.site/w/1000/i/0625621fd182ac52117ecb2e3b3f1a8461a5e90e703cf97e4d781aedb399d4b0/07dry3.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/3fce3b0447fc2766543b6b3b0b66ba4f5d80abe5f71fa640eb7a92a387bcd572/07dry2.jpg" data-mid="244055000" border="0"  src="https://freight.cargo.site/w/1000/i/3fce3b0447fc2766543b6b3b0b66ba4f5d80abe5f71fa640eb7a92a387bcd572/07dry2.jpg" /&#62;

 
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/9f16622b68a1b7a9e2b92a43ed2376d7022b6469587770cfb841e2906dc2d119/08dry-1.jpg" data-mid="244054985" border="0"  src="https://freight.cargo.site/w/1000/i/9f16622b68a1b7a9e2b92a43ed2376d7022b6469587770cfb841e2906dc2d119/08dry-1.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/02cd067e7cd9529e07e9e18e32b21c350d90eea33f9a2620c8126be5af997377/08dry-2.jpg" data-mid="244054993" border="0"  src="https://freight.cargo.site/w/1000/i/02cd067e7cd9529e07e9e18e32b21c350d90eea33f9a2620c8126be5af997377/08dry-2.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/ffe8dff1c915a2efa695c56ef0adaebbca6b0c7f23eb190ac2c0c247acbef7e4/08dry-3.jpg" data-mid="244054990" border="0"  src="https://freight.cargo.site/w/1000/i/ffe8dff1c915a2efa695c56ef0adaebbca6b0c7f23eb190ac2c0c247acbef7e4/08dry-3.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/14ca486f130edbd22a81c63f5aea1dea0fa3d61fbccecdc54206fe943e5e9108/08dry-4.jpg" data-mid="244054995" border="0"  src="https://freight.cargo.site/w/1000/i/14ca486f130edbd22a81c63f5aea1dea0fa3d61fbccecdc54206fe943e5e9108/08dry-4.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/b539061df181631377fb40adf7cea199a69b45d028ac66534d0ed9c93f7ac66f/08dry-5.jpg" data-mid="244054991" border="0"  src="https://freight.cargo.site/w/1000/i/b539061df181631377fb40adf7cea199a69b45d028ac66534d0ed9c93f7ac66f/08dry-5.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/df1b7f4a7e2379414850cbe0f6b9de2a8f757cd8ea6c3132637033ac7a6dfbc9/08dry-6.jpg" data-mid="244054994" border="0"  src="https://freight.cargo.site/w/1000/i/df1b7f4a7e2379414850cbe0f6b9de2a8f757cd8ea6c3132637033ac7a6dfbc9/08dry-6.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/0937c6bc4e6ac2c94a3559a1e680159a3011f42167cd62a18a2d3c2a3ae9b667/08dry-7.jpg" data-mid="244054989" border="0"  src="https://freight.cargo.site/w/1000/i/0937c6bc4e6ac2c94a3559a1e680159a3011f42167cd62a18a2d3c2a3ae9b667/08dry-7.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/50863a66821bb80d5a7dc50788d26671ef6ecc9fca13b9df80e15e2a6103528b/08dry-8.jpg" data-mid="244054987" border="0"  src="https://freight.cargo.site/w/1000/i/50863a66821bb80d5a7dc50788d26671ef6ecc9fca13b9df80e15e2a6103528b/08dry-8.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/8e88909a531bf6f45c8d7549b0553af81e5720b7d6c39cbbd38fc92eb8b71eb4/08dry-9.jpg" data-mid="244054998" border="0"  src="https://freight.cargo.site/w/1000/i/8e88909a531bf6f45c8d7549b0553af81e5720b7d6c39cbbd38fc92eb8b71eb4/08dry-9.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/9d4e5d3a9ea62b81390065da414fc43d16991c29b5a9fd1c446f4f27805b4c5e/08dry-10.jpg" data-mid="244054992" border="0"  src="https://freight.cargo.site/w/1000/i/9d4e5d3a9ea62b81390065da414fc43d16991c29b5a9fd1c446f4f27805b4c5e/08dry-10.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/7808743766c7faf2e6b185814e5ad076e540256f98c530ed228181732f116c95/08dry-11.jpg" data-mid="244054986" border="0"  src="https://freight.cargo.site/w/1000/i/7808743766c7faf2e6b185814e5ad076e540256f98c530ed228181732f116c95/08dry-11.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/190c3e6416cfed5c904911ff7a4d666edb938466a2bf578d7260dcd80edc91af/08dry-12.jpg" data-mid="244055003" border="0"  src="https://freight.cargo.site/w/1000/i/190c3e6416cfed5c904911ff7a4d666edb938466a2bf578d7260dcd80edc91af/08dry-12.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/dddde9bc602b55849a48cb0c85c99c411907ea735f93c6f75d81e9dee07272aa/08dry-13.jpg" data-mid="244054996" border="0"  src="https://freight.cargo.site/w/1000/i/dddde9bc602b55849a48cb0c85c99c411907ea735f93c6f75d81e9dee07272aa/08dry-13.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/76be6daa2096ed4397245f4af51b36a2991f81c459d865481b980a4bd032f99b/08dry-14.jpg" data-mid="244054997" border="0"  src="https://freight.cargo.site/w/1000/i/76be6daa2096ed4397245f4af51b36a2991f81c459d865481b980a4bd032f99b/08dry-14.jpg" /&#62;
&#60;img width="3008" height="1688" width_o="3008" height_o="1688" data-src="https://freight.cargo.site/t/original/i/51d7b8acdf09730a8eec6190d54bd10013f5f71d6c1dd99154e452bb96a7ee4e/08dry-16.jpg" data-mid="244055002" border="0"  src="https://freight.cargo.site/w/1000/i/51d7b8acdf09730a8eec6190d54bd10013f5f71d6c1dd99154e452bb96a7ee4e/08dry-16.jpg" /&#62;

	
  3.1. Comedian2.03.2. The Persistence of Memory2.0 &#38;nbsp;

&#60;img width="2840" height="1838" width_o="2840" height_o="1838" data-src="https://freight.cargo.site/t/original/i/cd4de94c6c090453a49d0e0429665bb5494d68c2ca6c1ab375121615af16450b/tape.JPG" data-mid="244055006" border="0"  src="https://freight.cargo.site/w/1000/i/cd4de94c6c090453a49d0e0429665bb5494d68c2ca6c1ab375121615af16450b/tape.JPG" /&#62;&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/1342f7a6929b149a0b65a6534ebde61ffae2ece9a08588763348f9c5f8a4b2ca/The-Persistence-of-cucumber.png" data-mid="244055005" border="0"  src="https://freight.cargo.site/w/1000/i/1342f7a6929b149a0b65a6534ebde61ffae2ece9a08588763348f9c5f8a4b2ca/The-Persistence-of-cucumber.png" /&#62;
Back to my project, “Comedian2.0” and “The Persistence of Memory2.0” are the imitation of famous artworks. However, the original artworks themselves are the reinvention of the distortion of reality, and these two projects are recreations of creations based on distortions of reality, which is virtually far away from reality. These two works can be understand as satire on surrealism, and present that we already being in an era where third-order simulacra dominate our lives, where the image has lost the connection to real things. 

What’s more, when Marcel Duchamp chose “readymades”, for example, the urinal, to create, there is no absolute worthless or to say daily object can also be of “high value”, as well as the banana in the “Comedian” and the cucumber in my project. When the news reported with the eye-catching title of “One banana, what could it cost? $120,000 - if it’s art”, the banana itself already lost its original purpose - for eating or planting. The image that artist created has no relation to reality, the object itself was not the actual banana any more, and it has lost the meaning of questioning if the banana is a real or fake artwork. 
3.3. Time segments×2


	&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/23e98b88127e83a390602791d6f1592ffe40517049b8939cc6c21c54a9ef29bc/10process4.9-11.JPG" data-mid="244055029" border="0"  src="https://freight.cargo.site/w/1000/i/23e98b88127e83a390602791d6f1592ffe40517049b8939cc6c21c54a9ef29bc/10process4.9-11.JPG" /&#62;
During this section, breaking the integrity of the cucumber into flakes, then dry it and reassemble it in order, which are two small models of time segments. Try to imagine, and this cucumber is the whole life experience for a creature, then, the actions of deconstruction and reorganization can be seen as finding the way to “save time”.


	&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/81f0988929b50fc1e34dd68dcccedf0b9db0a8e89d2206d8f66dd587e673303f/10drydark.JPG" data-mid="244055030" border="0"  src="https://freight.cargo.site/w/1000/i/81f0988929b50fc1e34dd68dcccedf0b9db0a8e89d2206d8f66dd587e673303f/10drydark.JPG" /&#62;

	
&#60;img width="2522" height="1626" width_o="2522" height_o="1626" data-src="https://freight.cargo.site/t/original/i/e0f655eba31836b840a14a3730a037457dfcd59377b9920e0e598ee5c54c9028/10cu.png" data-mid="244055024" border="0"  src="https://freight.cargo.site/w/1000/i/e0f655eba31836b840a14a3730a037457dfcd59377b9920e0e598ee5c54c9028/10cu.png" /&#62;
&#60;img width="2516" height="1600" width_o="2516" height_o="1600" data-src="https://freight.cargo.site/t/original/i/66db580c917967ca73337f043aa42277ad9a14383a4a41c70e981a6753767dc2/10cu2.png" data-mid="244055028" border="0"  src="https://freight.cargo.site/w/1000/i/66db580c917967ca73337f043aa42277ad9a14383a4a41c70e981a6753767dc2/10cu2.png" /&#62;

	
&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/9231d52274d3e1ff737b7a4ff6e62334841432e5c4af2c291ae1e8d9c26c4873/10dry.JPG" data-mid="244055031" border="0"  src="https://freight.cargo.site/w/1000/i/9231d52274d3e1ff737b7a4ff6e62334841432e5c4af2c291ae1e8d9c26c4873/10dry.JPG" /&#62;


&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/5cecdd59534e612bf3b476990354a457ed27141a5aae6c400b635e933a4a366c/09process4.8-1.JPG" data-mid="244055022" border="0"  src="https://freight.cargo.site/w/1000/i/5cecdd59534e612bf3b476990354a457ed27141a5aae6c400b635e933a4a366c/09process4.8-1.JPG" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/c3e72ff0d9a1806fd16f9c60e9606d349f049555fbd07adb187016790cfa8d81/09process4.7-1.JPG" data-mid="244055025" border="0"  src="https://freight.cargo.site/w/1000/i/c3e72ff0d9a1806fd16f9c60e9606d349f049555fbd07adb187016790cfa8d81/09process4.7-1.JPG" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/a9c4fb3d080fae7e3d545d658d852531774edc07e0c9919eecf9f786fa75dce8/09process4.6-1.JPG" data-mid="244055026" border="0"  src="https://freight.cargo.site/w/1000/i/a9c4fb3d080fae7e3d545d658d852531774edc07e0c9919eecf9f786fa75dce8/09process4.6-1.JPG" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/5680c73a74cf3c5bc2219e72596616b917ac17956b3c47b1b35b990ecf9a7c2e/09process4.5-1.JPG" data-mid="244055023" border="0"  src="https://freight.cargo.site/w/1000/i/5680c73a74cf3c5bc2219e72596616b917ac17956b3c47b1b35b990ecf9a7c2e/09process4.5-1.JPG" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/f5d7d2da1a5c862ee4a3c31e0f710a27b2c4b35c312fe6d2b095ef508645872e/09process4.9-1.jpg" data-mid="244055033" border="0"  src="https://freight.cargo.site/w/1000/i/f5d7d2da1a5c862ee4a3c31e0f710a27b2c4b35c312fe6d2b095ef508645872e/09process4.9-1.jpg" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/b4a106898d125e6d6bd126575561c7c607444b4ff67c7a35a817861e070b176d/09process4.4-23.JPG" data-mid="244055032" border="0"  src="https://freight.cargo.site/w/1000/i/b4a106898d125e6d6bd126575561c7c607444b4ff67c7a35a817861e070b176d/09process4.4-23.JPG" /&#62;


	&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/b731e2a0d7d470189e56a941aa21fcefa25b91e1764c0d89fed25b713dc04728/09process4.9-5.jpg" data-mid="244055027" border="0"  src="https://freight.cargo.site/w/1000/i/b731e2a0d7d470189e56a941aa21fcefa25b91e1764c0d89fed25b713dc04728/09process4.9-5.jpg" /&#62;
4.1. Gallery website


&#60;img width="2880" height="4666" width_o="2880" height_o="4666" data-src="https://freight.cargo.site/t/original/i/1858b37b5a080dd51c18c726b29eb640c8eeb032e2c3acc881ac6c9fca879ba9/Cweb-all2-2.png" data-mid="244055038" border="0"  src="https://freight.cargo.site/w/1000/i/1858b37b5a080dd51c18c726b29eb640c8eeb032e2c3acc881ac6c9fca879ba9/Cweb-all2-2.png" /&#62;
&#60;img width="2880" height="4666" width_o="2880" height_o="4666" data-src="https://freight.cargo.site/t/original/i/bb0a2fdd3c8f3ba42b3732f6fa753dca22aeb1389dcb42aa028da81c43fcf3ec/Cweb-all.png" data-mid="244055039" border="0"  src="https://freight.cargo.site/w/1000/i/bb0a2fdd3c8f3ba42b3732f6fa753dca22aeb1389dcb42aa028da81c43fcf3ec/Cweb-all.png" /&#62;

	
To compare with these two different websites, the gallery one(left), the elder version of my project arrangement, is for imagination mapping, as well as the pure appreciation of pictures and films. The visual senses can indeed attract the attention of the audience, including the special effects of webpage hovering and the non-daily cucumber visual image, etc. However, the premise of enjoying this disorderly designed website is that the audience has a clear understanding of my project and concept; otherwise, it is just empty beauty. Thus, to consider the communication between my task and the audience, designing an information well-organised website is essential, especially for those people who know my project for the first time.

Specifically, it is the difference between ordered design and unordered design or to say layout design with gird or not. The former is the organized transmission of consciousness, while the freedom of imagination accompanies the latter. There is practically no right or wrong between these two, just different methods of expression. Grid design usually appears with words such as logical thinking, efficiency, and clarity, and is a frequent visitor in business design. While the terms usually accompany with the anti-grid design is open, creative, and more emotional or intuitive. The struggle between restraint and freedom began as early as the 1980s, David Carson was the art director for the magazine Ray Gun, in which he employed much of the typographic and layout approach for which he is known. He claims that his work is "subjective, personal and very self-indulgent”. Back to my project, the website arranged irregularly in chronological order is perceptual, while another one with structured and analyzed is rational. 4.2. Visual document


&#60;img width="2448" height="2448" width_o="2448" height_o="2448" data-src="https://freight.cargo.site/t/original/i/a509615262f2b876f322d115de7f5f58615f8b897b2c765bef73208b9819041f/visual1.JPG" data-mid="244055045" border="0"  src="https://freight.cargo.site/w/1000/i/a509615262f2b876f322d115de7f5f58615f8b897b2c765bef73208b9819041f/visual1.JPG" /&#62;

While organizing the project, I made a visual document, which is very useful for summarizing my thinking and works. What I believe is necessary to visualize electronic documents, cause the things that rely on electric are hidden by the screen, which cannot see the full sight by people’s eyes. As far as the existing technology is concerned, the screen has a frame, and when it is still, the documents will be confined to a plane. For instants, when you open all the related documents in the desktop, usually it is an overlapping state and not easy to see the panorama. Since human memory has the characteristics of forgetfulness, overlapping files are less likely to be remembered directly, which hinders the overall thinking of the project. Moreover, this situation will be improved in the era of borderless screens. But at least now I still prefer to understand screen-based documents are hidden, and it is a more precise way for me to print it out then more able to overview it.


&#60;img width="1140" height="1140" width_o="1140" height_o="1140" data-src="https://freight.cargo.site/t/original/i/091e8ec1a456983b269714e99c9fcb8ee903acb2767508a934f5ab6429733b10/visual6.JPG" data-mid="244055046" border="0"  src="https://freight.cargo.site/w/1000/i/091e8ec1a456983b269714e99c9fcb8ee903acb2767508a934f5ab6429733b10/visual6.JPG" /&#62;
&#60;img width="1346" height="1346" width_o="1346" height_o="1346" data-src="https://freight.cargo.site/t/original/i/0125f4624d8522b392ed4816ce5e6d5c01fb4aa53cb8bb85bb31939cbd782fff/visual7.JPG" data-mid="244055051" border="0"  src="https://freight.cargo.site/w/1000/i/0125f4624d8522b392ed4816ce5e6d5c01fb4aa53cb8bb85bb31939cbd782fff/visual7.JPG" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/b54973acb5a02059e15331bc94da88f8fdfc391cc6b698ac6d32f2710c6ff77e/visual4.JPG" data-mid="244055050" border="0"  src="https://freight.cargo.site/w/1000/i/b54973acb5a02059e15331bc94da88f8fdfc391cc6b698ac6d32f2710c6ff77e/visual4.JPG" /&#62;
&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/ce84ace5f11e5cd0c1b3eb2502756b07f977c32f3f0f6e12db2f1019764d2882/visual3.JPG" data-mid="244055047" border="0"  src="https://freight.cargo.site/w/1000/i/ce84ace5f11e5cd0c1b3eb2502756b07f977c32f3f0f6e12db2f1019764d2882/visual3.JPG" /&#62;

	
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/a163433ee404d4fae7e127bb414ae25628b7fa9756ace3788e40541b448f0d72/visual5.JPG" data-mid="244055048" border="0"  src="https://freight.cargo.site/w/1000/i/a163433ee404d4fae7e127bb414ae25628b7fa9756ace3788e40541b448f0d72/visual5.JPG" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/5df6d87fbdbd34f9b336157e8d5e9dc65e2f9eac2c26358d4919fb9ca5523756/IMG_6084.JPG" data-mid="244055049" border="0"  src="https://freight.cargo.site/w/1000/i/5df6d87fbdbd34f9b336157e8d5e9dc65e2f9eac2c26358d4919fb9ca5523756/IMG_6084.JPG" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>pm</title>
				
		<link>https://yueqqiu.com/pm</link>

		<pubDate>Fri, 03 Jul 2026 03:22:53 +0000</pubDate>

		<dc:creator>yueqqiu</dc:creator>

		<guid isPermaLink="true">https://yueqqiu.com/pm</guid>

		<description>
	yueqqiu.com
Turning vision into systems, stories, and products. 


	yueqqiu@gmail.comig@yueqqiu


Octo - 即梦Dreamina AI 原生影视创作工具协作陪伴型创造力Agent - 用户 策略 应用构建
Octo&#38;gt;&#38;gt;是即梦面向影视与视觉创作者推出的 AI Native 创作产品，尝试重新定义创作者与 AI 的关系：AI 不再只是响应指令的工具，而是能共同理解语境、参与创作推进的创意合伙人。作为 0-1 核心成员&#38;amp;创意 Agent 的产品owner，围绕“同屏共感”这一核心体验，定义产品命题、能力结构、交互机制与应用落点、以及可复用的benchmark体系，把多模态能力组织成一套完整落地的创作产品。

产品说明书&#38;gt;&#38;gt;

	
Octo is an AI-native creative product launched by Bytedance for film and visual creators, exploring a new relationship between creators and AI: not just a tool that responds to prompts, but a creative partner that understands context and actively participates in moving the creative process forward. As a founding core member and product owner for the Creative Agent, I shaped the product proposition, capability structure, interaction model, and application scenarios around the core experience of “shared-screen resonance,” turning multimodal capabilities into a fully realized creative product.
&#60;img width="2468" height="1380" width_o="2468" height_o="1380" data-src="https://freight.cargo.site/t/original/i/f952d6cd43fa40d07849dbeb876f99cb41f8a7153273afaa0d5194e4a0390cf3/aionthelotcover.png" data-mid="250183221" border="0"  src="https://freight.cargo.site/w/1000/i/f952d6cd43fa40d07849dbeb876f99cb41f8a7153273afaa0d5194e4a0390cf3/aionthelotcover.png" /&#62;
&#60;img width="1280" height="719" width_o="1280" height_o="719" data-src="https://freight.cargo.site/t/original/i/20d1cd375ba5c88565f447b7eeb27a36c8fd729c60fe25daf2532e2c53485cbd/octoaionthelot.png" data-mid="250186454" border="0"  src="https://freight.cargo.site/w/1000/i/20d1cd375ba5c88565f447b7eeb27a36c8fd729c60fe25daf2532e2c53485cbd/octoaionthelot.png" /&#62;
&#60;img width="4191" height="1818" width_o="4191" height_o="1818" data-src="https://freight.cargo.site/t/original/i/be670ce64afdfac61ce474924db5542a689d4605c1c83a91ad36d6fa554edeb9/octo-agent.png" data-mid="250187492" border="0"  src="https://freight.cargo.site/w/1000/i/be670ce64afdfac61ce474924db5542a689d4605c1c83a91ad36d6fa554edeb9/octo-agent.png" /&#62;
&#60;img width="3828" height="961" width_o="3828" height_o="961" data-src="https://freight.cargo.site/t/original/i/c3ce46edfe84cb904db26c86799e788a7a13885b5ea71f12153c81d5b9782a29/Octo.png" data-mid="250235942" border="0"  src="https://freight.cargo.site/w/1000/i/c3ce46edfe84cb904db26c86799e788a7a13885b5ea71f12153c81d5b9782a29/Octo.png" /&#62;
&#60;img width="2652" height="1354" width_o="2652" height_o="1354" data-src="https://freight.cargo.site/t/original/i/e9f197a5b0b36170a1556ed49f41b1cd9a4ffe43555f97638d86804321755478/gentle-monstermv-1.png" data-mid="250211490" border="0"  src="https://freight.cargo.site/w/1000/i/e9f197a5b0b36170a1556ed49f41b1cd9a4ffe43555f97638d86804321755478/gentle-monstermv-1.png" /&#62;
&#60;img width="450" height="253" width_o="450" height_o="253" data-src="https://freight.cargo.site/t/original/i/bc22f6eb9452118b9b88a28253aa3f2b0e0c75af7987ced8f4988e8f670ba416/octoouranswertoseedance20.gif" data-mid="250186450" border="0"  src="https://freight.cargo.site/w/450/i/bc22f6eb9452118b9b88a28253aa3f2b0e0c75af7987ced8f4988e8f670ba416/octoouranswertoseedance20.gif" /&#62;
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&#60;img width="2094" height="1224" width_o="2094" height_o="1224" data-src="https://freight.cargo.site/t/original/i/1b19744dff2468a69850f6edb5508f9193a69d99c681d56a818d884fcf959629/-c.png" data-mid="250182786" border="0"  src="https://freight.cargo.site/w/1000/i/1b19744dff2468a69850f6edb5508f9193a69d99c681d56a818d884fcf959629/-c.png" /&#62;
&#60;img width="862" height="1036" width_o="862" height_o="1036" data-src="https://freight.cargo.site/t/original/i/5662fceef2eeeae72e4af25008e71454491a779363f0bd9c4f9719b2db41a81d/-c2.png" data-mid="250182790" border="0"  src="https://freight.cargo.site/w/862/i/5662fceef2eeeae72e4af25008e71454491a779363f0bd9c4f9719b2db41a81d/-c2.png" /&#62;
Vibe / Life Coding
把判断快速变成工具和实验，是我近阶段持续在做的一类实践 


	一手信息雷达面向融资、IPO 与热点信息获取滞后的问题，我用 Codex 搭建了一套一手信息监控工具，尽量缩短信息从源头到消费端的传递链路，更高效地捕捉值得跟进的市场信号。
	

First-hand Info RadarBuilt a first-hand signal monitoring tool with Codex to track fundraising, IPO, and market-moving information earlier and more efficiently.


&#60;img width="3556" height="427" width_o="3556" height_o="427" data-src="https://freight.cargo.site/t/original/i/f8c741a8c6571c724f9f03dbebaa61bab1cc43239c7b8c95a4ce9fb0f7a59bd5/.png" data-mid="250208873" border="0"  src="https://freight.cargo.site/w/1000/i/f8c741a8c6571c724f9f03dbebaa61bab1cc43239c7b8c95a4ce9fb0f7a59bd5/.png" /&#62;
&#60;img width="2002" height="1264" width_o="2002" height_o="1264" data-src="https://freight.cargo.site/t/original/i/a8bb5032bf3263af73bef5c9740a0b2efc3019ea6ce3c659effd377afa81efad/-yueqqiu.png" data-mid="250139877" border="0"  src="https://freight.cargo.site/w/1000/i/a8bb5032bf3263af73bef5c9740a0b2efc3019ea6ce3c659effd377afa81efad/-yueqqiu.png" /&#62;
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创业路径适配测试为有创业意向的朋友快速搭建了一套 10 分钟交叉测试工具，输出包含产品方向、公司路径、融资或退出方式，以及 90 天行动建议的参考叙事。
GitHub&#38;gt;&#38;gt;
	

Founder Path Test Built a lightweight 10-minute diagnostic tool for aspiring founders, generating suggested narratives across product direction, company path, financing or exit route, and a 90-day action plan.
&#60;img width="1099" height="1013" width_o="1099" height_o="1013" data-src="https://freight.cargo.site/t/original/i/23a0719b75500acc6de2fc5d89663193a3b47b0a7c5f07ae0a9ee144413cfe24/.png" data-mid="250185034" border="0"  src="https://freight.cargo.site/w/1000/i/23a0719b75500acc6de2fc5d89663193a3b47b0a7c5f07ae0a9ee144413cfe24/.png" /&#62;
&#60;img width="1806" height="3295" width_o="1806" height_o="3295" data-src="https://freight.cargo.site/t/original/i/94e7ffffb3c81b1fd17f95189424acd39d475ac3cf0ac91fdc6e1227c501c581/.png" data-mid="250184475" border="0"  src="https://freight.cargo.site/w/1000/i/94e7ffffb3c81b1fd17f95189424acd39d475ac3cf0ac91fdc6e1227c501c581/.png" /&#62;
&#60;img width="1786" height="1050" width_o="1786" height_o="1050" data-src="https://freight.cargo.site/t/original/i/52ce2f03db4481795571ad7d5681c74b5d2583abfb45eb54a840d8c865463f36/.png" data-mid="250208256" border="0"  src="https://freight.cargo.site/w/1000/i/52ce2f03db4481795571ad7d5681c74b5d2583abfb45eb54a840d8c865463f36/.png" /&#62;


AI 字体特效系统 - 剪映CapCut
AI赋能提效 - 模型数据 工具搭建 效果策略


	从 0-1 搭建 AI 字体特效生产系统，探索在成熟业务体系中，AI 如何重构既有产能。作为主负责人全程参与内部模型生产链路搭建，定义可复用的数据样本策略，打磨模型与调参工具，并把控最终效果质量。最终将定制字体模块产能提升xxxx%，且在APP内为此专设“剪映独家”字体tab，获得反响极好的商业化效果。
	

Built an AI font-effects production system from 0 to 1 within a mature creative ecosystem, leading the model pipeline, reusable data strategy, tuning tools, and output quality. The project increased custom font production capacity by xxxx% and drove strong commercial results, including a dedicated exclusive font tab in the APP.
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ccedd43b4b49fe69d8c8b7c981089d1c2611c7f8d88fcfbef82f5de3e1c031b7/-1_00000.png" data-mid="250135004" border="0"  src="https://freight.cargo.site/w/1000/i/ccedd43b4b49fe69d8c8b7c981089d1c2611c7f8d88fcfbef82f5de3e1c031b7/-1_00000.png" /&#62;
&#60;img width="1179" height="2556" width_o="1179" height_o="2556" data-src="https://freight.cargo.site/t/original/i/d9bf26c440debc893edbe9b4a8fe01f809938017008b6f63bbdb85180d61911a/tab-app.PNG" data-mid="250109000" border="0"  src="https://freight.cargo.site/w/1000/i/d9bf26c440debc893edbe9b4a8fe01f809938017008b6f63bbdb85180d61911a/tab-app.PNG" /&#62;
&#60;img width="4517" height="1682" width_o="4517" height_o="1682" data-src="https://freight.cargo.site/t/original/i/a49dc6473830fbf08a621cb7fabc8c3ca7a7a4236ca224e0b1fb5e4da1362faa/AI.png" data-mid="250190872" border="0"  src="https://freight.cargo.site/w/1000/i/a49dc6473830fbf08a621cb7fabc8c3ca7a7a4236ca224e0b1fb5e4da1362faa/AI.png" /&#62;
&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/bacf2ab1ed4bd0590a634a73870ee40f420ccc3b3c8364d0696e4ccc5c0893b5/Q2-1.jpeg" data-mid="250134984" border="0"  src="https://freight.cargo.site/w/1000/i/bacf2ab1ed4bd0590a634a73870ee40f420ccc3b3c8364d0696e4ccc5c0893b5/Q2-1.jpeg" /&#62;
&#60;img width="3200" height="1800" width_o="3200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/b9bd9273a58bfcc39c58fc7e7af5e01f464c3fbe62c5a1e2804f7db9939e7387/Q2.jpeg" data-mid="250135010" border="0"  src="https://freight.cargo.site/w/1000/i/b9bd9273a58bfcc39c58fc7e7af5e01f464c3fbe62c5a1e2804f7db9939e7387/Q2.jpeg" /&#62;


Emoji AI 贴纸 - 醒图/剪映
AI赋能提效 - 需求洞察 工作流搭建 LoRa


	基于图片编辑器应用中，用户“挡脸发图”的使用习惯，以及对emoji和动物形象的偏好洞察，快速搭建 workflow并通过数据策略训练 LoRA 产出高美感 AI 贴纸。一周内完成从洞察到落地，作为成熟应用体系下 AI 快速赋能的轻量案例，比Apple的Genmoji早了两个月。
	

Based on the insight that users of this photo-editing app often cover their faces in photos and prefer emoji and animal-style expressions, I quickly built the workflow and trained a LoRA model to produce high-aesthetic AI stickers. The project went from insight to launch in one week, serving as a lightweight case of rapid AI enablement in a mature product, two months ahead of Apple’s Genmoji.
&#60;img width="1170" height="2532" width_o="1170" height_o="2532" data-src="https://freight.cargo.site/t/original/i/5d8f6e105408e334dcdf3072b1d86424f22956d464bc7a8ba02910beedc3242f/AIemoji-.PNG" data-mid="250108854" border="0"  src="https://freight.cargo.site/w/1000/i/5d8f6e105408e334dcdf3072b1d86424f22956d464bc7a8ba02910beedc3242f/AIemoji-.PNG" /&#62;
&#60;img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/b8500bce79e7fc2c6d336cd4a345170e1c4f344dea0e52d9ee5d2d7f7d2adc82/-emoji.png" data-mid="250109010" border="0"  src="https://freight.cargo.site/w/1000/i/b8500bce79e7fc2c6d336cd4a345170e1c4f344dea0e52d9ee5d2d7f7d2adc82/-emoji.png" /&#62;
&#60;img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/8f37a56ed8b1ed417087eb4ecf6c39426f488650c6554e4918c5c0b3e6f4abe5/.PNG" data-mid="250108836" border="0"  src="https://freight.cargo.site/w/1000/i/8f37a56ed8b1ed417087eb4ecf6c39426f488650c6554e4918c5c0b3e6f4abe5/.PNG" /&#62;
&#60;img width="1600" height="900" width_o="1600" height_o="900" data-src="https://freight.cargo.site/t/original/i/d230f2fb5cbc72fe388c80cea5972d17c960a6b1d970128f9c369169606b0817/.gif" data-mid="250109009" border="0"  src="https://freight.cargo.site/w/1000/i/d230f2fb5cbc72fe388c80cea5972d17c960a6b1d970128f9c369169606b0817/.gif" /&#62;

战略体系搭建 &#38;amp; 视觉策略 - 初创公司系统构建 - 业务洞察 战略布局 体系复用


	1.&#38;nbsp;从品牌战略出发，主导双产品体系的命名架构、品牌定位与视觉表达规划，梳理品牌关系与差异化路径，搭建统一且可延展的品牌体系框架。2. 主导品牌视觉策略与体系建设，基于业务目标和用户洞察，搭建覆盖产品与营销端的可拓展视觉框架；协同产品与研发推进设计规范落地，提升多端产出效率与一致性，并结合 Twitter（X）、Discord、Instagram 等平台特性制定差异化视觉创意方向。

				
1. Led the naming architecture, brand positioning, and visual expression planning for a dual-product ecosystem from a product strategy perspective, clarifying product relationships and differentiation paths while building a unified and scalable brand framework.
2. Led brand visual strategy and system development based on business goals and user insights, creating a scalable visual framework across product and marketing touchpoints; partnered with product and engineering teams to implement design standards that improved cross-platform efficiency and consistency, while defining differentiated creative directions for platforms such as X, Discord, and Instagram.


&#60;img width="1870" height="1622" width_o="1870" height_o="1622" data-src="https://freight.cargo.site/t/original/i/8fae7668149df32d44ca9bf7513d12eacd0152235fd17dfe6f87f874ea844874/Candy-Branding1.0.jpeg" data-mid="250208861" border="0"  src="https://freight.cargo.site/w/1000/i/8fae7668149df32d44ca9bf7513d12eacd0152235fd17dfe6f87f874ea844874/Candy-Branding1.0.jpeg" /&#62;
&#60;img width="2784" height="1524" width_o="2784" height_o="1524" data-src="https://freight.cargo.site/t/original/i/8b995c5b339755f35e93eaec79f322734c2369daf544885b087b0202ad26d816/strategybrand.png" data-mid="250208818" border="0"  src="https://freight.cargo.site/w/1000/i/8b995c5b339755f35e93eaec79f322734c2369daf544885b087b0202ad26d816/strategybrand.png" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Qucumber</title>
				
		<link>https://yueqqiu.com/Qucumber</link>

		<pubDate>Wed, 26 Mar 2025 17:05:36 +0000</pubDate>

		<dc:creator>yueqqiu</dc:creator>

		<guid isPermaLink="true">https://yueqqiu.com/Qucumber</guid>

		<description>
&#60;img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/d562f6e8d891464ce20541c2f56ccd136d5ab4e6a37d224c5721b4540e4affb1/gifloop.gif" data-mid="228826129" border="0"  src="https://freight.cargo.site/w/300/i/d562f6e8d891464ce20541c2f56ccd136d5ab4e6a37d224c5721b4540e4affb1/gifloop.gif" /&#62;
Qcumber🥒&#38;nbsp;
	

I walked through the Greenwich Tunnel
&#60;img width="1459" height="1370" width_o="1459" height_o="1370" data-src="https://freight.cargo.site/t/original/i/90d7c8790e1f026aab3c6f3d5179d4a85cfc27d7e06328b0cd8424bb957f01e5/greenwich-tunnel.png" data-mid="228826112" border="0"  src="https://freight.cargo.site/w/1000/i/90d7c8790e1f026aab3c6f3d5179d4a85cfc27d7e06328b0cd8424bb957f01e5/greenwich-tunnel.png" /&#62; and took a picture every three steps, producing 183
&#60;img width="1920" height="1081" width_o="1920" height_o="1081" data-src="https://freight.cargo.site/t/original/i/61503cf8f5b77b8f027560e4bb69d87e4ab7744e1abda6d1be159e9a5d957376/slices2.png" data-mid="228826116" border="0"  src="https://freight.cargo.site/w/1000/i/61503cf8f5b77b8f027560e4bb69d87e4ab7744e1abda6d1be159e9a5d957376/slices2.png" /&#62; pictures in five minutes.


Try to imagine. Placing these pictures in the place where they were taken and enlarging them to the actual size of the tunnel. Viewed from a distance, this is a tunnel but cut into the slices&#60;img width="5084" height="1883" width_o="5084" height_o="1883" data-src="https://freight.cargo.site/t/original/i/0eb0ad5065e75b246c565905c4ef4cb6f37de58a0a559f2715e824097cb62ef2/slices4.png" data-mid="228826115" border="0"  src="https://freight.cargo.site/w/1000/i/0eb0ad5065e75b246c565905c4ef4cb6f37de58a0a559f2715e824097cb62ef2/slices4.png" /&#62;. I try to visualize&#60;img width="1920" height="857" width_o="1920" height_o="857" data-src="https://freight.cargo.site/t/original/i/115020ff23c95eb479225a3ac7c768f20c1e7c34a3166a8a4fc2cbba026495cb/visualize.png" data-mid="228826117" border="0"  src="https://freight.cargo.site/w/1000/i/115020ff23c95eb479225a3ac7c768f20c1e7c34a3166a8a4fc2cbba026495cb/visualize.png" /&#62; the equal time within the space of tunnel, when I took the picture and walked as the same time. This is the action to decompose&#60;img width="2560" height="1500" width_o="2560" height_o="1500" data-src="https://freight.cargo.site/t/original/i/a85d7414dcb825e237fd0facbffd4058112cd0e945700b4c7288ed78a48d3e3b/spacetime1.png" data-mid="228826119" border="0"  src="https://freight.cargo.site/w/1000/i/a85d7414dcb825e237fd0facbffd4058112cd0e945700b4c7288ed78a48d3e3b/spacetime1.png" /&#62;  the coherent tunnel into photographs. Furthermore, those photos could be seen as the separation of time and space&#60;img width="256" height="256" width_o="256" height_o="256" data-src="https://freight.cargo.site/t/original/i/c1897469eee06d78606b86c748e551fc15e40fcd924a7a13eaa00434eab7ad87/4dimension.gif" data-mid="228826122" border="0"  src="https://freight.cargo.site/w/256/i/c1897469eee06d78606b86c748e551fc15e40fcd924a7a13eaa00434eab7ad87/4dimension.gif" /&#62;.


Interestingly, I found the action&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/b35e9d9e07663c7ef32f2eae3e87f5a431b238cbecc6ac75db2375ce1c5629fc/action.png" data-mid="228826120" border="0"  src="https://freight.cargo.site/w/1000/i/b35e9d9e07663c7ef32f2eae3e87f5a431b238cbecc6ac75db2375ce1c5629fc/action.png" /&#62; of taking photos in the tunnel is very similar to other action of cutting a cucumber, so I combined these two seemingly unrelated behaviors into a short film. I enjoy working with a variety of mediums. Therefore, I found a connection between the elements of audio and visual so I did a montages technique into my film. All in all, I took cucumber as the experimental object&#60;img width="3182" height="2250" width_o="3182" height_o="2250" data-src="https://freight.cargo.site/t/original/i/2230c40c1faf79b913026a55eefe9132d3c612923b234551487804ac723d6680/experence.png" data-mid="228826121" border="0" data-marker-id="2" src="https://freight.cargo.site/w/1000/i/2230c40c1faf79b913026a55eefe9132d3c612923b234551487804ac723d6680/experence.png" /&#62; to develop the relationship between space and time
&#60;img width="640" height="640" width_o="640" height_o="640" data-src="https://freight.cargo.site/t/original/i/b6bcd69c2ec5b5b6fb1398cca96d7e8046371f01e95c7c5a882bafbb2a8f57af/spacetime2.png" data-mid="228826118" border="0"  src="https://freight.cargo.site/w/640/i/b6bcd69c2ec5b5b6fb1398cca96d7e8046371f01e95c7c5a882bafbb2a8f57af/spacetime2.png" /&#62;, deconstruction and reconstitution in various ways.

	
当我走在格林威治隧道时，每走三步拍一张照片，一共产生了183张照片，历时五分钟。


试想把照片放置在摁下快门的那个瞬时地点，并放大照片至隧道实体大小，从远处看这是一个片状照片组成的隧道，亦可看作是一个5分钟的轨迹，将5分钟的时间在隧道空间里可视化。实际上，把连贯的隧道拆解成一张张照片这个动作，也可以理解为把隧道的时间与空间解离。


有趣的是，我发现隧道切片这个行为与切黄瓜的动作非常相似，因此将这两个行为结合制作了视频。我喜欢结合多样的媒介，所以我在听觉和视觉找到了连接点并做了蒙太奇剪接。这种多样性同时也贯穿了整个黄瓜项目。在这之后，我以黄瓜为实验对象，用各种不一样的方法来思考时间与空间，解构与重塑的关系。


︎yueqqiu&#38;nbsp;︎gmail


&#60;img width="960" height="540" width_o="960" height_o="540" data-src="https://freight.cargo.site/t/original/i/03d8c416c7226cf8986cff2b0e53a4fffa8b99e7afe20c2fe5a579cbc418fffd/1Rachel-a-simulation-of-the-underground.gif" data-mid="228826081" border="0"  src="https://freight.cargo.site/w/960/i/03d8c416c7226cf8986cff2b0e53a4fffa8b99e7afe20c2fe5a579cbc418fffd/1Rachel-a-simulation-of-the-underground.gif" /&#62;
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&#60;img width="960" height="540" width_o="960" height_o="540" data-src="https://freight.cargo.site/t/original/i/6f431284269252d74abbfb7a4ce179f669c94ec39debbd104cf3c9d4e0b0e8b3/4Rachel-a-simulation-of-cutting-a-cucumber3.gif" data-mid="228826084" border="0"  src="https://freight.cargo.site/w/960/i/6f431284269252d74abbfb7a4ce179f669c94ec39debbd104cf3c9d4e0b0e8b3/4Rachel-a-simulation-of-cutting-a-cucumber3.gif" /&#62;
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&#60;img width="960" height="540" width_o="960" height_o="540" data-src="https://freight.cargo.site/t/original/i/834d4946e7de66efd03a6998b1d869b658b0b17bd32e38f9f27edfdffa213206/5Rachel-a-simulation-of-peeling-a-cucumber.gif" data-mid="228826085" border="0"  src="https://freight.cargo.site/w/960/i/834d4946e7de66efd03a6998b1d869b658b0b17bd32e38f9f27edfdffa213206/5Rachel-a-simulation-of-peeling-a-cucumber.gif" /&#62;
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/a84fb1cd7972f1f16ce9eb2c87d7ac9c501bb7303a7f66e073ce114d00843a3d/IMG_1038.JPG" data-mid="228826088" border="0"  src="https://freight.cargo.site/w/1000/i/a84fb1cd7972f1f16ce9eb2c87d7ac9c501bb7303a7f66e073ce114d00843a3d/IMG_1038.JPG" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>scan</title>
				
		<link>https://yueqqiu.com/scan</link>

		<pubDate>Wed, 26 Mar 2025 17:05:40 +0000</pubDate>

		<dc:creator>yueqqiu</dc:creator>

		<guid isPermaLink="true">https://yueqqiu.com/scan</guid>

		<description>


&#60;img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/d562f6e8d891464ce20541c2f56ccd136d5ab4e6a37d224c5721b4540e4affb1/gifloop.gif" data-mid="228826163" border="0"  src="https://freight.cargo.site/w/300/i/d562f6e8d891464ce20541c2f56ccd136d5ab4e6a37d224c5721b4540e4affb1/gifloop.gif" /&#62;
🥒 SCAN


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&#60;img width="3507" height="2480" width_o="3507" height_o="2480" data-src="https://freight.cargo.site/t/original/i/7065094c541f5ac5bae25cdb6de185fa7ea29e5a0f98e59d744d2265be694fa1/scancolour-4.jpg" data-mid="228826133" border="0"  src="https://freight.cargo.site/w/1000/i/7065094c541f5ac5bae25cdb6de185fa7ea29e5a0f98e59d744d2265be694fa1/scancolour-4.jpg" /&#62;
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&#60;img width="2480" height="3507" width_o="2480" height_o="3507" data-src="https://freight.cargo.site/t/original/i/6d1d38ff8ec0224c6516e92884956c57c8d4957f4f36893e961ba0e6cc394ed9/scancolour-6.jpg" data-mid="228826135" border="0"  src="https://freight.cargo.site/w/1000/i/6d1d38ff8ec0224c6516e92884956c57c8d4957f4f36893e961ba0e6cc394ed9/scancolour-6.jpg" /&#62;
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	<item>
		<title>Dry</title>
				
		<link>https://yueqqiu.com/Dry</link>

		<pubDate>Wed, 26 Mar 2025 17:05:43 +0000</pubDate>

		<dc:creator>yueqqiu</dc:creator>

		<guid isPermaLink="true">https://yueqqiu.com/Dry</guid>

		<description>
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🥒 DRY


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